Press Release

Roman recently collaborated with legendary cinematographer Vilmos Zsigmond, ASC, on the 4K digital intermediate for the upcoming feature film “The Black Dahlia.” Roman also worked with cinematographer Shane Hurlbut on the digital intermediates for “Something New” and “Into the Blue.”
Among Roman’s other digital intermediate credits are the feature films “Harsh Times,” “Planet of the Apes,” “Josie and the Pussycats,” “The Woods,” “Shade,” “Paparazzi,” “Blow,” and “Cross Bronx,” winner of a cinematography award at the 2004 Tribeca Film Festival. In addition to cinematographers Zsigmond and Hurlbut, he has worked with Steve Mason, Philippe Rousselot, Matthew Libatique, John Leonetti, Anthony Richmond, Daryn Okada, Ellen Kuras, and Theo van de Sande.
In addition to his extensive DI credits, Roman is a talented and respected
colorist with long form, restoration and feature mastering credits to his name. He provided the digital restoration for the classic film “To Kill a Mockingbird,” winner of ten Academy Awards, including Best Cinematography, as well as the restoration of “To Be Alive!” winner of the 1964 Oscar for Best Documentary. His feature mastering credits include “Requiem for a Dream,” “DysFunktional Family,” “Reversal of Fortune,” “Truth or Dare,” “Under Fire,” and “West Side Story,” among many others.
“We are delighted to have someone of Frank’s caliber and experience join our team of colorists. His keen eye, along with his personality and longstanding relationships with cinematographers, will be an invaluable asset to our institutional knowledge of DI as well as our company’s culture,” said Steve Hendricks, president of Post Logic.
Observed Roman "I'm happy to be part of a team that truly understands both the science and the art of DI. Post Logic has built an incredible environment to support
filmmakers, and I'm excited to watch the company develop what will certainly
become the most technically and creatively fulfilling DI infrastructure in the
industry."
Over the past six months Post Logic has strategically invested several million dollars to build a high performance digital intermediate pipeline, implementing Spirt 4K and Northlight film scanners, Arrilaser film recorders, Barco 2K film projector and Bright Systems storage area network (SAN) capable of handling the data-intensive workflow of multiple 4K DI projects. During this time, Post Logic has created a top tier facility and added talented colorists to its team. Roman joins DI colorists Lou Levinson, Sheri Eisenberg and Mike Cosola on the Post Logic talent roster.
www.postlogic.com