PostWorks, New York's renowned
full-service post-production boutique in Midtown Manhattan,
which built its reputation as one of the premier midtown audio
mixing facilities over the past 35 years under the name of
Photomag, has changed its name to PostWorks, Midtown. Also,
in line with its aggressive expansion of state-of-the-art
audio and video post services, the facility is unveiling a
Discreet Smoke and Flame suite.
"Photomag has been here since 1970," explained PostWorks,
Midtown's general manager Bill Ivie, "and over most of the
past 35 years, it's been one of the main advertising audio
facilities in midtown. Until recently, the thought had been,
let's keep the name to preserve its link to its colorful
history. However, over the past couple of years, PostWorks
has become such a major name in the industry, we all realized
that adopting the PostWorks, Midtown‚ name is advantageous
in every way."
Citing the facility‚s current workload, which involves post
work on several feature films and reality TV series as well
as some of TV's largest broadcast events scheduled for the
weeks ahead, Ivie says that the addition of Discreet's
powerful Smoke and Flame systems illustrates the facility's
full-service commitment to its clientele. "Back in the
spring, there were basically just audio rooms and a single
Avid Symphony," he said. "Now, we have three dedicated
Symphony suites and the ability to configure up to eight
other suites to accommodate any needs for feature film,
television or short-form projects. With the Smoke and
Flame, we add creative editorial, visual effects and online
finishing capabilities of the highest order."
PostWorks, Midtown account executive Stephen Ostrow has
increased the facility's relationships with network on-air
promotions and marketing executives, independent promo
companies, freelance designers and effects artists. To
date, he has facilitated new on-air work for both A&E and
Lifetime. Ostrow strongly feels that the addition of the
Smoke and Flame systems greatly enhances the facility's
offerings.
"The volume of audio work currently happening here is
unprecedented," Ostrow began. "As our video business
continues to develop, it's a perfect hand-glove fit to our
audio services. By adding the most high-end finishing
tools available to our in-house capabilities, we now have
something to offer everyone who works in or around the
on-air promos industry. If an artist or a promo company
has a project and they need a state-of-the-art facility to
four-wall in, we're here. And if a network is looking to
outsource any aspect of their next on-air campaign, we can
either handle it in-house or rapidly scale-up to give them
the finest support they‚ll find anywhere."
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