Today Cine-tal, a leading developer in image processing, display and collaboration
solutions, and Gamma & Density Co., a leader in color control, calibration, and pre-visualization for the
film and video industry, announce that Gamma & Density’s 3cP (Cinematographer’s Color Correction
Program) will fully support Cine-tal’s Cinemage line of Intelligent LCD displays for on-set and post-
production use.
Yuri Neyman DP and CEO/Founding Partner of Gamma & Density, stated “We are very excited about the
partnership with Cine’tal. The advantages that this technological union can bring to DP’s and DIT’s would
not have been possible without much work and contributions from many people and companies, starting
with Gamma and Density’s first version of 3cP which introduced the idea of a precision communication
link between the DP and post several years ago. The combination of Cinemage monitors and 3cP will open
new horizons for all of us-not just technically, but also creatively.”
The new Cinemage-3cP workflow allows still images to be captured on the Cinemage monitor directly
from the HD-SDI digital video feed and then imported into 3cP. Once loaded into the 3cP software, the
images can be graded and color corrected, and a customized look can be developed. The look can be
simultaneously shared with the colorist, either on- or off-set, and can be imported back into the Cinemage
monitor, allowing for real time color pre-visualization during production. Cinemage’s fully routable signal
system allows for raw and pre-visualized data to be viewed side by side and be independently routed either to the display or to the two HD-SDI outputs. This feature provides the ability to record raw and pre-visualized images simultaneously.
“Cine-tal continues to support the transition to digital production through the development of tools and
technology to increase creativity on the set while providing increased workflow efficiencies.” said Rob
Carroll CEO of Cine-tal. “Our partnership with Gamma & Density is another example of our commitment
to solutions and interoperability”
Yuri Neyman added, “Application of 3cP to HD and DI is natural development for our program. It is a
result of using it on-set and in post-production on many shows. 3cP has proven to be as powerful a tool of
image/look control in the purely digital realm as it has established itself to be in traditional film workflow,
where 3cP allows its users to emulate the look of any film stock (both Fuji and Kodak), filters, lab
processing, etc. Cinemage with its custom gamma and white point calibrations among many other features
also fits into the DI and HD picture perfectly. Cine-tal’s ability to communicate with 3cP makes it the
perfect monitoring solution for confidence in your digital images from production to post to DI.”