If you haven't actually ordered a Blackmagic Cinema Camera (BMCC), you might be unaware of the drama that took place behind the scenes as the camera missed its targeted July shipping date and customers holding pre-orders started to worry about the delay. The mood at the Blackmagic cinematography forum these last couple of months could best be described as anxious.
For Blackmagic, the bad news is that the supplier of its sensor, which is bonded to a layer of glass that keeps the actual sensor clean, ended up being ill-equipped to deliver parts. First, the supplier was sending out sensors with glass that was contaminated. (Obviously, a digital-cinema camera requires glass that is utterly free of blemishes.) Making matters worse, the firm — which previously made only monochromatic sensors for scientific markets — wasn't even able to properly test the color sensors for problems.
The exact nature of the problems apparently took months to identify and troubleshoot. Blackmagic CEO Grant Petty was fairly candid in describing the problems at the company's discussion board.
We are the only camera that’s used this sensor and glass combination. It's like designing and building cars but no one at the company has ever driven one.
The good news is that the process of bonding glass to sensor has been changed. The company has updated its testing process, based on advice from Blackmagic, and has shipped a small run of sensors that Blackmagic says seem to pass muster. This week, Blackmagic has slated a small production run of cameras and hopes to move back into production after verifying that quality is back up to snuff.
But cameras were trickling out before those sensor problems came to the fore, and real-world videos shot by working cinematographers have been showing up online. Planet5D has a roundup of some of the first clips that have surfaced, including the head-to-head comparison with a Canon 5D Mark III from OneRiver embedded below. Planet 5D says the BMCC looks "too clean and crisp," but it looks pretty darned good to me, especially head to head with the Mk III. (And OneRIver's Marco Solorio agrees, saying that he expects the BMCC to take the place of DSLRs in his own arsenal.) Planet5D also notes that some clips (but not all) suffer from the appearance of black spots when the camera is pointed at a very bright light source.
The BMCC has a 2.5K image sensor and records in 12-bit raw, ProRes, and DNxHD formats with 13 stops of dynamic range. When you can actually buy one, it will cost you $2995. Once production does get back up to speed, it's not clear how fast Blackmagic can actually build the things, so some (many?) users may be looking at 2013 delivery dates. If you get a chance to shoot with one of these suckers, let us know what you think!
UPDATE 11/20/12: A shared chat log from a conversation between a user and B&H customer service seems to indicate Blackmagic is "very confident" that cameras will ship "in the triple digits" before the end of 2012.
Did you enjoy this article? Sign up to receive the StudioDaily Fix eletter containing the latest stories, including news, videos, interviews, reviews and more.