The Shotover K1 six-axis-stabilized aerial mount, the waterproof Hydrascope telescoping camera crane, Side Effects Software’s Houdini VFX toolset, Foundry’s Nuke compositing system, Pixar’s Presto and Premo animation systems, ILM’s BlockParty procedural rigging system, and the Rhythm & Hues Construction Kit rigging system are among the achievements to be honored next month by the Academy of Motion Picture Arts and Sciences (AMPAS).

AMPAS today finalized the 10 scientific and technical achievements that will be recognized at the annual Scientific and Technical Awards Presentation, set for Saturday, February 10, at the Beverly Wilshire in Beverly Hills.

Additionally, AMPAS said, its Gordon E. Sawyer Oscar will be given to VFX veteran and traveling matte photography expert Jonathan Erland, a founder and fellow of the Visual Effects Society who, as an AMPAS steering committee chair, helped establish the Academy’s visual effects branch.

“This year we are happy to honor a very international group of technologists for their innovative and outstanding accomplishments,” said Ray Feeney, chair of the AMPAS Scientific and Technical Awards Committee, in a prepared statement. “These individuals have significantly contributed to the ongoing evolution of motion pictures, and their efforts continue to empower the creativity of our industry.”

Here is the full list of honorees as provided by the Academy:


To Jason Smith and Jeff White for the original design, and to Rachel Rose and Mike Jutan for the architecture and engineering, of the BlockParty procedural rigging system at Industrial Light & Magic.

BlockParty streamlines the rigging process through a comprehensive connection framework, a novel graphical user interface, and volumetric rig transfer, which has enabled ILM to build richly detailed and unique creatures while greatly improving artist productivity.

To Joe Mancewicz, Matt Derksen and Hans Rijpkema for the design, architecture and implementation of the Rhythm & Hues Construction Kit rigging system.

This toolset provides a novel approach to character rigging that features topological independence, continuously editable rigs and deformation workflows with shape-preserving surface relaxation, enabling fifteen years of improvements to production efficiency and animation quality.

To Alex Powell for the design and engineering, to Jason Reisig for the interaction design, and to Martin Watt and Alex Wells for the high-performance execution engine of the Premo character animation system at DreamWorks Animation.

Premo’s speed and simplicity enable animators to pose full-resolution characters in representative shot context, significantly increasing their productivity.

To Rob Jensen for the foundational design and continued development, to Thomas Hahn for the animation toolset, and to George ElKoura, Adam Woodbury and Dirk Van Gelder for the high-performance execution engine of the Presto Animation System at Pixar Animation Studios.

Presto allows artists to work interactively in scene context with full-resolution geometric models and sophisticated rig controls, and has significantly increased the productivity of character animators at Pixar.


To John Coyle, Brad Hurndell, Vikas Sathaye and Shane Buckham for the concept, design, engineering and implementation of the Shotover K1 Camera System.

This innovative six-axis stabilized aerial camera mount, with its enhanced ability to frame shots while looking straight down, enables greater creative freedom while allowing pilots to fly more effectively and safely.

To Jeff Lait, Mark Tucker, Cristin Barghiel and John Lynch for their contributions to the design and architecture of the Houdini visual effects and animation system.

Houdini’s dynamics framework and workflow management tools have helped it become the industry standard for bringing natural phenomena, destruction and other digital effects to the screen.

To Bill Spitzak and Jonathan Egstad for the visionary design, development and stewardship of the Nuke compositing system.

Built for production at Digital Domain, Nuke has become a ubiquitous and flexible tool used across the motion picture industry, enabling novel and sophisticated workflows at an unprecedented scale.

To Abigail Brady, Jon Wadelton and Jerry Huxtable for their significant contributions to the architecture and extensibility of the Nuke compositing system.

Expanded as a commercial product at The Foundry, Nuke is a comprehensive, versatile and stable system that has established itself as the backbone of compositing and image processing pipelines across the motion picture industry.

To Leonard Chapman for the overall concept, design and development, to Stanislav Gorbatov for the electronic system design, and to David Gasparian and Souhail Issa for the mechanical design and integration of the Hydrascope telescoping camera crane systems.

With its fully waterproof construction, the Hydrascope has greatly advanced crane technology and versatility by enabling precise long-travel multi-axis camera movement in, out of and through fresh or salt water.


To Mark Elendt and Side Effects Software for the creation and development of the Houdini visual effects and animation system.

With more than twenty years of continual innovation, Houdini has delivered the power of procedural methods to visual effects artists, making it the industry standard for bringing natural phenomena, destruction and other digital effects to the screen.


Jonathan Erland

Presented to an individual in the motion picture industry whose technological contributions have brought credit to the industry.