Author Archives: Studio Daily
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In this ten minute video, RE:Vision Effects' Lori Freitag walks you through the basics in retiming and keyframing sequences to give you the kind of slow-motion shot you'd get from shooting with a high-speed camera.
In this 28-minute training video, John Dickinson, who created the training site Motionworks, demonstrates how to create broadcast graphics with particles using Boris Continuum Complete 8 for After Effects.
Jason Kramer is serious about music. Influential, too. He's the music supervisor at Elias Arts, where he helps make musical matches in commercials from the likes of Pepsi, Audi, BMW, Lexus, Infiniti and Kia. He's also a DJ at iconic L.A. public-radio station KCRW.
Because he was shooting in tight spaces on a real-world location, Bijan wanted to use gear that could be crammed into a small area. First, he tested the Canon 5D. He also considered the Red One. But workflow was a consideration, and Bijan wanted to go direct to edit. Those considerations led him to the Sony PMW-F3.
Amid the hype and hoopla leading up to the camera's introduction at Paramount Studios on November 3, one fact seemed inescapable: the Canon EOS C300 camera will usher in a new era of simple, versatile, high-performance tools for filmmakers.
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of their Twixtor 5 plug-in for Avid Media Composer, Symphony and NewsCutter, including 64-bit support for Media Composer 6, Symphony 6 and NewsCutter 10.
Grass Valley has unveiled a powerful 3D toolset for its EDIUS multiformat nonlinear editing software and has added 3D support for editing peripherals that provides users with a complete stereoscopic 3D post-production workflow.