Facilis Terrablock 24D
Our company AlphaDogs, a post-production studio in Burbank, CA, had been looking for a shared-storage solution for more than three years. What we needed was hard to come by economically-a cross-platform system. Then we discovered Terrablock.
Blackmagic Design DeckLink HD Pro
Whether you are "future-proofing" a production, or simply taking advantage of that extra resolution HD provides your show, shooting in high-def can provide a lot of benefits. But how do you
Shoot Slow-mo HD with the Panasonic AG-HVX200
One of the fascinating and unique features of the new Panasonic
AG-HVX200 is its ability to shoot with true variable frame rates.
Design an Animated ID
Understand the client's language (and I mean their language of design) As stations and networks expand their offerings, designers are faced with bringing more complicated concepts to bear on a single
Import and Export SD and HD(V) Content with the Grass Valley Turbo iDDR
Step 1 Import content into Turbo using Workstation mode With the Turbo iDDR (intelligent digital disk recorder) operating in its Workstation view, pull down the Clips menu and click on Import. You will see
VIDEO TUTORIAL: After Effects Design Secrets
In this turorial you will learn how to use blur, median, and levels to make individual pieces of art blend together to look natural, as well as get pointers for starting character animation.
Shooting in Glass Houses for When a Stranger Calls
When director Simon West approached his friend, cinematographer Peter Menzies Jr., about shooting his new thriller, a remake of 1979's When a Stranger Calls, he had a simple proposition - he needed Menzies to make a $15 million thriller look like a glossy, $80 million Hollywood movie.
Tariq Anwar on Collaboration in the Cutting Room
Tariq Anwar is modest about an editing career that includes the iconic American Beauty, Wings of the Dove, Stage Beauty and The Madness of King George. He got his chops editing at the BBC for 18 years, which he calls "the best training possible."
Scott Gillen's Sense of Speed
Scott Gillen started his career as a stunt driver and segued into becoming an accomplished commercial shooter. Film & Video asked him about shooting cars and motorcycles at 100 mph.
Reconstructing Orson Welles
How do you release a DVD director's cut if you don't know how the director himself would have finished the film?