Category Archives: Project/Case study

888 articles found

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Already Been Chewed on Street Art-Inspired Motion Graphics

Design and motion graphics studio Already Been Chewed (ABC) created a motion-graphics music video with graffiti art that put rapper Chanel West Coast in a colorful 3D environment for her song "Bass N the Trunk." Cinema 4D maker Maxon and writer … more »

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Wim Wenders and Juliano Ribeiro Salgado on The Salt of the Earth

The Salt of the Earth, a documentary portrait of Brazilian photographer Sebastião Ribeiro Salgado made by his son Juliano and German director Wim Wenders, harkens back to Wenders’ roots in New German Cinema. However, Sebastiao doesn’t seem like the hero of … more »

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Shooting Ballet for the Big Screen with the Canon EOS C300

In his new documentary A Ballerina's Tale, which will premiere at the Tribeca Film Festival next month, director Nelson George follows classical ballet dancer Misty Copeland, a teenaged prodigy who became the third African-American soloist at American Ballet Theatre — and the company's … more »

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Sound Ideas for Big Action Audio with Tiny Mics on Taken 3

DPA Microphones said its condenser mics captured audio when a boom mic was out of the question in multi-camera shots for Taken 3. Sound mixer and engineer Stéphane Bucher, owner of Parisian audio rental house A4Audio, had used DPA D:screet 4060 … more »

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Panasonic’s VariCam 35 Shoots Amazon’s Salem Rogers at ISO 5000

Cinematographer Theo Van de Sande, ASC, brought the Panasonic VariCam 35 4K camera out of the lab and onto the set last year, when he shot the pilot for the Amazon Studios show Salem Rogers, starring Leslie Bibb (pictured, top) … more »

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How Framestore’s Imagery Boosted Ocean-Ecology Doc Mission Blue

Framestore in New York designed imaginative but sober graphics to communicate the environmental effects of industry on the world's oceans for the Netflix-exclusive film Mission Blue. Cinema 4D maker Maxon and writer Meleah Maynard offered StudioDaily a behind-the-scenes look at the … more »

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Rising Sun VFX Supe Tim Crosbie on X-Men: Days of Future Past

In X-Men: Days of Future Past, the X-Men send Wolverine, our favorite superhero mutant, time-traveling from an awful future to a recent past to change human history—and that future. With an all-star cast, a built-in fan base, and a director, … more »

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VFX Supe Dan DeLeeuw on Captain America: The Winter Soldier

In Captain America: The Winter Soldier the super WWII soldier Steve Rogers finds himself in a modern-day political thriller, a suspenseful visual-effects laden action-adventure that won praise from critics and Avengers fans alike. Rogers, aka Captain America, now works for … more »

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Oscar-Nominated VFX Supervisor Paul J. Franklin on Interstellar

On Sunday, Interstellar won the BAFTA award for best visual effects, an award presented — fittingly as it turned out — by Dr. Stephen Hawking.  Hawking’s longtime friend Dr. Kip Thorne, a renowned astrophysicist famous for his work on black … more »

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Marvel Studios VFX Supe Stephane Ceretti on Guardians of the Galaxy

In Marvel Studios’ Guardians of the Galaxy, a quartet of misfits that include, improbably, a CG raccoon named Rocket and a CG tree named Groot, zip from planet to planet as they try to save the galaxy from an evil … more »