07|10|2008

What Does it Take to Make 3D Work?

By Bryant Frazer

The last time F&V spoke with Fred Meyers, he was helping Star Wars - Episode III: Revenge of the Sith get up to speed with HDCAM SR 4:4:4 recording. More recently, he's been working behind the scenes on Journey to the Center of the Earth. We asked him to answer some general questions about the workings of a successful 3D shoot....  »
07|10|2008

When the Movie is 3D, But the NLEs Are 2D

By Bryant Frazer

Journey to the Center of the Earth, directed by Eric Brevig — a filmmaker with lots of experience in the VFX realm — might not have the same historic impact as The Jazz Singer or Becky Sharp, but as the first live-action VFX-driven feature film to be shot for 3D, it can’t help but break new ground....  »
07|10|2008

Using the ASC CDL on State of Play

By Debra Kaufman

Panavision, da Vinci Systems, Gamma & Density, and Modern VideoFilm all came together at Cine Gear Expo 2008 to reveal what happened the first time the ASC’s CDL has been put to a real-world test, on the forthcoming State of Play, shot on 35mm film and the Panavision Genesis by cinematographer Rodrigo Prieto....  »
06|26|2008

Seeing Production and Post in Stereo

By Bryant Frazer

Right now, Stereoscope is a post and DI facility with 3D capabilities, but in the near future Cummins plans to have a full-bore production and post company running live-action 3D movies through the pipeline....  »
06|26|2008

Production Sound Mixer Mark Ulano Talks Tech

By Bryant Frazer

Production sound mixer mark Ulano won an Oscar for his work on Titanic. F&V asked him about the latest in audio gear and got his thoughts on the potential of the coming digital broadcast transition to wreak havoc on diversity wireless-mic systems....  »
06|19|2008

Intense Collaboration on Kung Fu Panda's End Credits

By Debra Kaufman

Kung Fu Panda has captured critics and audiences with its irreverent mix of kung fu and heart, a tale of a slacker panda who dreams of being a kung fu master. Design and branding studio Shine was tasked with creating a main title sequence that conveyed all this while serving as a bookend to the 2D dream sequence that opens the film, and crediting 900 people who worked on it. The result, which clocks in at nine minutes, is a mini-movie in its own right....  »
06|12|2008

In This RedCine Workflow, Post-Production Starts On Set

By Bryant Frazer

When M2G Media in Irvine, CA, was hired by a global marketing firm to create a video piece introducing the new design for the 2009 Nissan Maxima at the New York Auto Show, M2G producer Jeff Granbery saw Red....  »
06|12|2008

Guy Maddin on My Winnipeg

By Steve Erickson

Guy Maddin’s work is steeped in fantasy, pastiche and film references, often recreating a past or place that only ever existed in the cinema. Maddin’s style continues to draw upon silent cinema, but here he uses a variety of cameras to create a unique look....  »
05|29|2008

Horror Master Stuart Gordon Gets Stuck

By Bryant Frazer

Gordon's version of the story, which stars Mena Suvari as the driver and Stephen Rea as her victim, is rewritten to give the poor guy a fighting chance. It's a violent B-movie that's as disturbing as it is funny, a black comedy that's genuinely interested in the psychology of a driver who could ignore the dying man stuck in her windshield....  »
05|22|2008

Animating a Personal Flash Epic

By Bryant Frazer

Working from her New York apartment, Nina Paley expanded the scope of a series of shorts she had been working on (they set stories from an ancient Hindu epic, the Ramayana, to the tunes of early jazz singer Annette Hanshaw) to feature-film length. Talk about a personal film....  »

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