08|09|2007

How V3 Imaging and CBS Sports Added Depth to the Final Four

By Bryant Frazer

If you watched coverage of the Final Four basketball tournament on CBS this year, you’ve seen V3 footage in action. Now, with systems available for rental at Clairmont Camera, the company is gearing up a full-court press to try and get V3-capable lenses into broadcast trucks from coast to coast....  »
08|09|2007

7.1 – Surrounded Or Overwhelmed?

By Dan Daley

...  »
08|03|2007

Updating Babylon 5's VFX for Direct-to-DVD Lost Tales

By Bryant Frazer

It’s one thing to do groundbreaking VFX work on a show like Battlestar Galactica, which dramatically reinvented the look of the original 1970s TV series for a contemporary audience. But it’s quite another to start working on an upgrade of a not-so-long-in-the-tooth program like Babylon 5....  »
07|26|2007

Animation From Supinfocom Valenciennes

By Debra Kaufman

Film & Video has compiled some of the top short projects to come out of French animation school Supinfocom Valenciennes recently....  »
07|26|2007

Post Logic's New Image Science Executives on Color-Centric Workflows

By Debra Kaufman

On July 19, Hollywood post production facility Post Logic Studios announced the launch of its Image Science Division. Headed up by Dr. Mitch J. Bogdanowicz and Denis Leconte, the new division will offer Post Logic clients “the assurance of consistent color management across every stage of a production, regardless of acquisition format or output medium.” ...  »
07|26|2007

Recruiting European Animation Talent

By Debra Kaufman

Q&A with Shelly Page, European Representative, DreamWorks Animation...  »
07|26|2007

Vive l'Animation!: Why is France a New Center for Computer Animation?

By Debra Kaufman

A strange thing happened on the way to SIGGRAPH 2007. Its prestigious Computer Animation Festival, which, since 1999, has been an official qualifying festival for the Academy of Motion Pictures Arts and Sciences Best Animated Short Film award, announced their 2007 awards, and two of the top three films come from students—and all of them from Europe. ...  »
07|12|2007

Ultra-High-Speed Videography for Spike's Guys Choice Awards

By Bryant Frazer

When Creative Director Greg Hahn of New York’s Gretel started thinking about opening titles and category opens for Spike’s Guys Choice awards show, he gravitated toward ultra-high-speed imagery. ...  »
07|12|2007

How They Did It: Live Free or Die Hard

By Bryant Frazer

If you’ve seen Live Free or Die Hard — or even if you’ve just seen the trailers, which emphasize the film’s trademark outlandish action sequences — you may think of the various stunts, including the “money shot” involving a car tumbling through the air and smashing into the hoods of two more cars traveling on the ground, as a veritable CG-fest. But you’d be wrong....  »
06|21|2007

Shooting Animation Verité-Style for Surf's Up

By Barbara Robertson

Mid-way through the animated mockumentary Surf’s Up, one of the penguins faces the camera and asks an invisible camera crew if they’re hungry. We hear a voice answer, “Uh, yeah.” ...  »

« previous  1 2 3 4 5 6 7 8 [9] 10 11 12 13 14 15 16 17 18  next »



Subscribe to StudioDaily Podcast


  check it out   join    
  flash video mini-site   get more   store  
 
News, analysis, tips and tricks served up daily at the new Studio Daily blog.
 
Bringing you news, features and tutorials at 30 frames per second.
Video commentary from directors. editors and VFX artists.
 

 

TUTORIALS FOR VIDEO PROS

All new tutorials 10 percent off. Tutorials on After effects, Flash, Final Cut Pro, Shake Avid Media Composer, Liquid, LightWave 3D, Autodesk Maya, Sony XDCAM EX, Trapcode and many more.
 
           
    FILM & VIDEO © 2008 Access Intelligence LLC. All Rights Reserved.



Related Content