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| 05|10|2007 |
By Bryant Frazer
After 15 years in the business of cutting episodic TV, editor Farrel Levy has figured out a thing or two about getting inside someone's head. That's her job — making sure an audience understands not just the narrative, but the psychology behind the story. ... »
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| 05|10|2007 |
By Bryant Frazer
Chris Keighly, who joined Post Logic Studios last year as a telecine assistant after cutting his post teeth at Technicolor Creative Services, has been named technical supervisor of Post Logic's New York facility. The job gives him oversight over all projects completed at Post Logic in New York — mainly commercial spots that take advantage of color-correction and conform for HD — and charges him with make sure the post and DI pipelines are up to snuff.... »
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| 04|10|2007 |
By Bryant Frazer
Known for what Adweek describes as "saucy advertising," online clothing retailer Bluefly.com nudged at the boundaries again this year with a spot directed by Tony Goldwyn and shot by Janusz Kaminski.... »
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| 03|29|2007 |
By Bryant Frazer
Working with editor Bernat Villaplana on post for the acclaimed Spanish film, Schiff had to organize an editorial process that involved assets moving between Spain, Mexico, and California — with a DI in Toronto.... »
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| 01|25|2007 |
By Bryant Frazer
F&V asked McDowell to describe his working methods, to talk about collaboration with cinematographer Benoit Delhomme and others on the crew, and to explain how the advent of digital previs and VFX technology are changing the way a production comes together.... »
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| 12|20|2006 |
By Bryant Frazer
Editor Jay Nelson at L.A.'s Cut and Run is coming off a streak of funny spots for high-profile clients like Activision, eHarmony and, working with director Jason Reitman, Wal-Mart.... »
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| 12|20|2006 |
By MaryAnn Johanson
DP Ernie Vincze used DigiBeta to shoot all 13 episodes in the first new season, starring Christopher Eccleston as the Doctor and now available on DVD, and about half of the second and third seasons... »
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| 11|01|2006 |
By Bryant Frazer
F&V got Kevin Tod Haug to talk about doing VFX for Forster’s latest not-a-VFX-film, Stranger Than Fiction, finding good work in Russia, and the VFX industry’s “roving horde” of freelancers... »
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| 10|19|2006 |
By Bryant Frazer
"We treat it like bicycle racing — we trim down as much as we can so we can move faster and lighter in the field."... »
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| 09|20|2006 |
By Dan Daley
After more than three decades in the film sound business, many people would be looking at retirement homes, not major professional epiphanies. But multi-Oscar winning supervising sound editor and sound designer Lon Bender took a side road onto the Great White Way that changed the way Broadway looks at sound. ... »
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