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| 03|01|2006 |
By Bryant Frazer
Kwesi Collisson is one of those guys who seems to do everything -- he's a producer who understands money, but also a crack editor and compositor who likes to get hands-on with his projects.... »
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| 03|01|2006 |
By Bryant Frazer
Robert Hoffman moved up in the filmmaking ranks the old-fashioned way — he got lucky. Years of working as a post supervisor and assistant editor paid off when he was post-supervising Ghost World for director Terry Zwigoff.... »
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| 03|01|2006 |
By Bryant Frazer
Indies are using NLEs like Final Cut Pro and Avid Xpress Pro because they’re cost-effective – and when filmmakers are strapped for cash, they start working even more creatively with the tools available to them. ... »
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| 02|01|2006 |
By Bryant Frazer
The newest work from animator Bill Plympton is a music video for Kanye West, meaning a new generation of viewers may be tuning in to his wavelength.... »
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| 02|01|2006 |
By Debra Kaufman
Scott Gillen started his career as a stunt driver and segued into becoming an accomplished commercial shooter. Film & Video asked him about shooting cars and motorcycles at 100 mph.... »
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| 02|01|2006 |
By Dan Daley
There's nothing unusual about the audio workflow between sound guys Eric Lalicata and Ken Skoglund—except that they're working on two different continents.... »
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| 02|01|2006 |
Tariq Anwar is modest about an editing career that includes the iconic American Beauty, Wings of the Dove, Stage Beauty and The Madness of King George. He got his chops editing at the BBC for 18 years, which he calls “the best training possible.”... »
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| 02|01|2006 |
By Debra Kaufman
With sex, lies and videotape in 1989, Steven Soderbergh re-invented the indie feature. Since then, he’s ping-ponged between big Hollywood crowd-pleasers (Oceans 12, Traffic, Erin Brockovich, Out of Sight) and his own, challenging experiments in filmmaking (The Limey, Full Frontal).... »
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| 01|01|2006 |
By Bryant Frazer
Cinematographer Robert Elswit has had quite a year. With two high-profile projects playing on theater screens during Oscar season, he’s become the go-to guy for socially conscious drama — on both Syriana and the monochromatic Good Night, and Good Luck... »
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| 01|01|2006 |
Interviewed by Bryant Frazer
Bobby Beck AnimationMentor.com Bobby Beck was an animator and character developer at Pixar until September 2004, when he left to launch an online animation school, AnimationMentor.com... »
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