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| 04|01|2005 |
Interviewed by Michelle Paster
Chris Landreth Academy-Award winning 3D animator/director On: Ryan This year Chris Landreth won the Academy Award for his animated short about Canadian animator Ryan Larkin, a one-time Oscar nominee... »
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| 04|01|2005 |
Interviewed by Bryant Frazer
Andrew Herwitz left his position as head of the acquisitions department
at Miramax Films in 2002 to form The Film Sales Company.... »
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| 03|01|2005 |
By Alison Johns
To gauge how post-production companies and their clients are adapting to change, we conducted two separate online surveys early this year (see "Our Methodology," page 44). About 500 pros responded... »
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| 02|01|2005 |
Interviewed by Brad Balfour
>> Zana Briski and Ross Kauffman Filmmakers On: Born into Brothels. Photographer Zana Briski began work on Born into Brothels when she gave cameras to several children of Calcutta prostitutes and tought... »
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| 01|01|2005 |
By Deana Morgan
It takes a lot of light to shoot a big movie, and Paramount’s Gothic comedy Lemony Snicket’s A Series of Unfortunate Events is one of the biggest. Principal photography spanned seven months, with over a... »
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| 01|01|2005 |
Interviewed by Iain Blair
Alexander, Oliver Stone’s hugely ambitious and expensive new film, represents the culmination of the director’s life-long fascination with... »
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| 01|01|2005 |
Interviewed by Bob Fisher
He earned an Oscar for for The Towering Inferno and nominations for Islands in the Stream and Patton. ... »
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| 12|01|2004 |
Interviewed by Debra Kaufman
Is there a moment that was key in your decision to become a DP? When I was 13, I took a class where the teacher talked about different media every week. She showed parts of [ Ingmar Bergman’s] Persona. I... »
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| 12|01|2004 |
Interviewed by Iain Blair
In the five years since The Sixth Sense, writer/director M. Night Shyamalan has established a consistent record as a Hollywood hit-maker... »
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| 12|01|2004 |
Interviewed by Iain Blair
Director Michael Mann is well-known as a perfectionist, so it’s not surprising that when he started planning the shoot for Collateral, he opted to use fairly new HD camera systems, the only technology that... »
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