09|01|2005

Giving the Pentagon a
Face-Lift on E-Ring

By Sharon Kennedy

Due to strict security measures, NBC’s Pentagon drama E-Ring was denied access to shoot on location. However, the Bruckheimer production was permitted a walkthrough a week before shooting began......  »
09|01|2005

Setting In-Camera Looks on Fox’s Reunion

By Sharon Kennedy

For DP Adam Kane (ABC’s Grey’s Anatomy) and director Jon Amiel (Entrapment, The Man Who Knew Too Little), establishing a distinct look and feel for each time period depicted in the flashback-heavy...  »
09|01|2005

Menace in Motion in ABC’s The Night Stalker

By Sharon Kennedy

Because of the subject matter — a reporter investigates mysterious, nocturnal crimes — it was essential for DP Clark Mathis to make the night come alive in ABC’s new series The Night Stalker....  »
09|01|2005

FX Brings the War Home with Over There

By Debra Kaufman

With the debut of Over There, the new military drama from executive producer Stephen Bochco, Hollywood-based war scenes will co-exist for the first time with the images shot by embedded photojournalists. To...  »
09|01|2005

Showtime’s Scary New Director-Driven Series

By Bryant Frazer

"This is not like any other TV show in the history of the medium." That’s the rather modest claim of Mick Garris, creator of the new Showtime series Masters of Horror, which debuts in October. The...  »
07|01|2005

Family Guy Makes a Comeback With a New Pipeline

— Michelle Paster

Thanks to the momentum generated by sales of nearly 3 million DVD box sets and repeated cable airings, Fox’s Family Guy is back by popular demand after its 2002 cancellation in season three. ...  »
06|01|2005

The Scary, Stylized Reality of 24

By Debra Kaufman

From the beginning, says Charters, the show resembled documentary filmmaking more than the typical TV episodic. Co-executive producer Stephen Hopkins directed 12 episodes that first season and stamped his...  »
05|01|2005

Blind Justice Gets Visual

By Bob Fisher

Jeff Jur, ASC, and Ric Bota shoot alternate episodes, a tactic pioneered on HBO’s award-winning Carnivale and The Sopranos. Blind Justice revolves around Jim Dunbar, a street-smart New York City detective...  »
05|01|2005

Q&A: Camera op Jody Eldred on HDV vs. F900

Interviewed by Bryant Frazer

Jody Eldred is one of those camera guys who likes to try everything — he’s gone scuba diving with the PD-100, he covered the war in the Persian Gulf in 2003 with a PD-150 for ABC News, and he recently went airborne with the Sony Z1U...  »
04|01|2005

Doing the Math

By Iain Blair

The show, which shoots on location all over the L.A. area, has a distinctive look, thanks to the Scotts and DP Ivan Strasburg ( Bloody Sunday, Live From Baghdad, The Corner) who was hired by director Mick...  »

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