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| 09|07|2005 |
Interviewed by Michael Grotticelli
Croll has served as a freelance director, supervising producer and director of photography (DP) on a long list of reality TV productions.... »
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| 09|01|2005 |
By Barbara Robertson
When heads rolled in ancient Rome, it was a spectacle. Blood flowed in the Forum. Authentically but invisibly recreating the violence in the Empire for the BBC and HBO’s $100 million miniseries required a... »
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| 09|01|2005 |
By Sharon Kennedy
Due to strict security measures, NBC’s Pentagon drama E-Ring was denied access to shoot on location. However, the Bruckheimer production was permitted a walkthrough a week before shooting began...... »
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| 09|01|2005 |
By Sharon Kennedy
For DP Adam Kane (ABC’s Grey’s Anatomy) and director Jon Amiel (Entrapment, The Man Who Knew Too Little), establishing a distinct look and feel for each time period depicted in the flashback-heavy... »
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| 09|01|2005 |
By Sharon Kennedy
Because of the subject matter — a reporter investigates mysterious, nocturnal crimes — it was essential for DP Clark Mathis to make the night come alive in ABC’s new series The Night Stalker.... »
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| 09|01|2005 |
By Debra Kaufman
With the debut of Over There, the new military drama from executive producer Stephen Bochco, Hollywood-based war scenes will co-exist for the first time with the images shot by embedded photojournalists. To... »
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| 09|01|2005 |
By Bryant Frazer
"This is not like any other TV show in the history of the medium." That’s the rather modest claim of Mick Garris, creator of the new Showtime series Masters of Horror, which debuts in October. The... »
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| 08|01|2005 |
By Michelle Paster
Cartoon Network’s Hi Hi Puffy AmiYumi may just reinvent the way animators think about 2D. Many animated TV shows are still based on pencil-and-paper drawings, which are scanned into conventional animation... »
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| 07|01|2005 |
— Michelle Paster
Thanks to the momentum generated by sales of nearly 3 million DVD box sets and repeated cable airings, Fox’s Family Guy is back by popular demand after its 2002 cancellation in season three. ... »
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| 07|01|2005 |
By George Jarrett and Bryant Frazer
Doing its part to bolster the position of film for episodic and documentary production, Kodak has commercialized another piece of R&D technology— and it has launched a low-contrast Super 16 stock... »
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