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06|21|2005

60-Second Q&A

The recently wrapped fourth season of American Idol, including its popular road auditions and live studio shows, was entirely shot and broadcast in the 720p...  »
06|01|2005

Why Rodney Charters Is Ready for the Digital Takeover

By Rodney Charters, ASC, CSC

The season’s last episode takes place at night in downtown Los Angeles, with a big sequence between Kiefer and the bad guys. Director/Co-Executive Producer Jon Cassar and I were reminded of Collateral...  »
06|01|2005

The Scary, Stylized Reality of 24

By Debra Kaufman

From the beginning, says Charters, the show resembled documentary filmmaking more than the typical TV episodic. Co-executive producer Stephen Hopkins directed 12 episodes that first season and stamped his...  »
05|01|2005

Cutting to the Chase

By Debra Kaufman

Becoming an editor isn't like training to be a doctor or a lawyer. Sure, you can go to film school and get hands-on experience. ...  »
05|01|2005

Blind Justice Gets Visual

By Bob Fisher

Jeff Jur, ASC, and Ric Bota shoot alternate episodes, a tactic pioneered on HBO’s award-winning Carnivale and The Sopranos. Blind Justice revolves around Jim Dunbar, a street-smart New York City detective...  »
05|01|2005

Q&A: Camera op Jody Eldred on HDV vs. F900

Interviewed by Bryant Frazer

Jody Eldred is one of those camera guys who likes to try everything — he’s gone scuba diving with the PD-100, he covered the war in the Persian Gulf in 2003 with a PD-150 for ABC News, and he recently went airborne with the Sony Z1U...  »
04|05|2005

60-Second Q&A

Interviewed by Debra Kaufman

...  »
04|01|2005

Doing the Math

By Iain Blair

The show, which shoots on location all over the L.A. area, has a distinctive look, thanks to the Scotts and DP Ivan Strasburg ( Bloody Sunday, Live From Baghdad, The Corner) who was hired by director Mick...  »
04|01|2005

Three DPs/Three Cameras

By Debra Kaufman

Efficient workflow, great images, on budget: these are all magic words, not just for cost-conscious producers but for the cinematographers who paint and frame the images we see on television. With a choice of HD cameras, cinematographers can now...  »
04|01|2005

Gearing Up for the Jungle

"We didn’t go in trying to show every gadget we could," says David Allen, DP and series producer on PBS miniseries Deep Jungle, part of the Nature series. "It turned out to be a tour of...  »

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