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| 10|08|2009 |
By Bryant Frazer
Melrose Place teaser... »
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| 08|19|2009 |
By Bryant Frazer
Philo Television, the post-production division of the marketing and direct-response production company Lieberman Productions, recently acquired an Archion Synergy HDu system to extend its existing Avid Unity MediaNetwork. StudioBytes asked him for a little more detail about the technology.... »
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| 08|13|2009 |
By Dan Daley
As cable and satellite channels proliferate, Tivos shred conventional advertising, and viewers’ attention spans get shorter and shorter, the notion of the interstitial takes on new importance – get the message to the viewer as quickly, comprehensively and artfully as possible.... »
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| 07|30|2009 |
By Bryant Frazer
Keyframe co-founders Clint Green and Darren Cranford lead the shop on a production task that can include upwards of 200 different effects per show.... »
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| 06|25|2009 |
By Bryant Frazer
As Lionsgate switches shows including Mad Men and Crash to the new D3 System, the company is moving from distributing dailies on DVD to an all-streaming solution. The new workflow is definitely greener and probably more secure, and it's also reduced headaches for Williams.... »
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| 06|18|2009 |
Beth Marchant
Randy Wachtler, the president and founder of 615 Music and chair of the Production Music Association (PMA), talks about the future of surround, the rising popularity of minimally scored music and royalty tracking for composers. We caught up with him at Promax|BDA in New York.... »
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| 06|11|2009 |
By Bryant Frazer
After 26 years in the business, Jim Flynn Rentals has established a reputation as a go-to for New York area audio, supplying gear for everything from soap-opera musical guests to the upcoming Broadway version of Spider-Man, mounted by Julie Taymor with music by Bono and The Edge.... »
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| 05|28|2009 |
By Dan Daley
Some of Hollywood’s top post houses are creating high-tech Mini-Mes, allowing directors to work on a film’s sound at their own offices while supplying gear and technical talent tailored to each project.... »
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| 04|13|2009 |
By Debra Kaufman
Last night on 24 the good guys won again, at least for the moment, when the missiles are destroyed in a huge fireball explosion just seconds after they’re activated. Hollywood-based visual effects facility LOOK Effects created both that very realistic explosion as well as the scenes of the missiles in Episodes 717 and 718, for a total of 19 multi-layered shots.... »
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| 03|26|2009 |
By Debra Kaufman
The popular medical TV episodic ER is winding down after a 15-year run. But it’s going out with a bang: after the entire run was filmed on 4-perf 35mm, the last seven episodes were shot with the Red camera.... »
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