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| 11|01|2006 |
By Bryant Frazer
See Atmosphere's work (with and without audio commentary) and read the article to learn more about what went into managing workflow for Battlestar Galactica's biggest spectacle to date.... »
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| 10|18|2006 |
By Bryant Frazer
Working mainly in HD, but using film for high-speed cinematography that has to intercut with the HD footage, Tirone strives to give key sequences a look all their own, distinguishing the show's killing scenes, for instance, with a wash of color that varies from episode to episode.... »
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| 09|28|2006 |
Press Release
The American Society of Cinematographers (ASC) is accepting entries for its annual Outstanding Achievement Awards in the categories of episodic television programs and television movies/miniseries/pilots. ... »
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| 08|02|2006 |
By Debra Kaufman
A spin-off of reality show Laguna Beach, The Hills follows Lauren Conrad, a character from a past season, to Los Angeles. Cinematographer Hisham “Sham” Abed used the same camera and lenses as he did with Laguna Beach: the Panasonic 480-line resolution SDX-900 in 24p mode and native 16:9 aspect ratio and a range of Canon HD lenses.... »
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| 07|12|2006 |
By Bryant Frazer
What’s the key to creating great promos? According to Joel Pilger, president of Denver, CO’s Impossible Pictures, it’s all about knowing your limitations — and making sure the client knows them, too. Pilger walks us through the workflow process from previs to finishing. ... »
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| 05|31|2006 |
By Bryant Frazer
WGBH became a beta tester of Avid's new Symphony Nitris system as the first step in moving some of their programs to high-definition in 2007. Tim Mangini, broadcast director of FRONTLINE, oversees the Outpost, a facility that posts FRONTLINE and other client projects (usually documentaries). Mangini's Avid Symphony editors took the WGBH system for a test drive, and the Outpost ended up buying three. We talked to Mangini about the Symphony Nitris, HD delivery formats, and building a new post workflow.... »
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| 05|08|2006 |
By Bryant Frazer
Makes reading even the tiny news scroll at the bottom of the CNN frame a snap.... »
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| 05|04|2006 |
By Bryant Frazer
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| 05|01|2006 |
By Debra Kaufman
Thanks to Moore’s Law, creating truly photoreal imagery isn’t as daunting a feat as it used to be, and Stargate’s virtual backlot is becoming a staple in Hollywood television shows. ... »
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| 04|13|2006 |
By Bryant Frazer
"There's nothing worse in the world than watching a short film that feels like it's too long."... »
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