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| 01|30|2012 |
Press Release
Dot Hill Systems Corp., a leading provider of Unified Virtual Storage and SAN storage solutions, announced it has entered into a supply agreement with Autodesk, Inc., a leader in 3D design, engineering and entertainment software.... »
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| 01|27|2012 |
By Bryant Frazer
The Surrogate was shot on the Red One MX and edited on a software-only Avid Media Composer system by Lisa Bromwell, an Avid veteran who took on the film as a rare unpaid gig because she believed in the material. When we spoke to her this week, she had just returned from the film's world premiere in the cavernous Eccles Theater in Park City and was already back at work cutting two episodes of Criminal Minds, but she said The Surrogate represented a satisfying departure from her normal mix of editorial jobs.... »
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| 01|26|2012 |
Barry Braverman
The advent of multiple file-based recording formats and camera systems necessitates a new generation of efficient data management tools like the Nexto DI, which can accommodate, off-load, and store a range of data protocols and media types. From Alexa and SxS to XDCAM EX and P2 today’s shooter/filmmaker working project to project and (often) from producer to producer may frequently use a variety of cameras from just as many manufacturers.... »
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| 01|25|2012 |
By Scott Strohmaier
Two years in the making, The Art of Flight is a sports-action film that takes audiences on an epic snowboarding journey.... »
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| 01|24|2012 |
By Bryant Frazer
Defying some expectations that awards powerhouse The Artist might dominate the proceedings, director Martin Scorsese's Hugo earned the most nominations of any film honored by the Oscars this morning, nabbing a spot in categories including Best Picture, Directing, Cinematography, Editing, Sound Editing, Sound Mixing, and Visual Effects.... »
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| 01|18|2012 |
By Steve Erickson
Wiseman may be best known as a pioneer of the cinema vérité school of documentary, which minimizes the director’s presence, but here, he comes close to Busby Berkeley territory, as he acknowledges in the following interview. Working for the first time in HD, he shows new possibilities in the medium, asCrazy Horse matches the color and beauty of 35mm.... »
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| 01|18|2012 |
By Bryant Frazer
GoPro today announced a new version of its CineForm Studio lineup that it hopes will help build a bridge between professionals and enthusiasts who use its rugged $300 HD cameras.... »
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| 01|18|2012 |
Press Release
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| 01|17|2012 |
By Bryant Frazer
Dealers in the U.S. started taking pre-orders for Canon's EOS C300 and C300 PL digital-cinema cameras today at price points significantly below the $20,000 announced by Canon. The camera is available in either EF- or PL-mount versions for $15,999.... »
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| 01|17|2012 |
Scott Simmons
The biggest news for editors when Avid began shipping Media Composer 6 last November was the NLE's transformation into a very modern, 64-bit application. Along with that came other great updates, including the support of third-party hardware options (several of which I tested with this review). This is a big release in terms of the software's overall internal plumbing, though it may or may not be a big release for users in terms of overall functions, depending on what features they need. I still think it may be one of the most important releases of Media Composer ever, as 64-bit lays the foundation for every upgrade to come.... »
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