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| 04|20|2011 |
By Bryant Frazer
The 2011 NAB show floor was more eclectic than ever, hosting demos of single-body stereo 3D cameras and bleeding-edge DI tools alongside sexy glimpses of new Thunderbolt storage devices, iPad dailies and color-correction and, well, that makeshift tattoo booth outside the big Red tent. But if there was any overarching theme this year, it might be mobility.... »
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| 04|19|2011 |
By Bryant Frazer
Apple's late-February release of MacBook Pros with the new Thunderbolt interface built in really does seem to have caught storage vendors a bit off-guard. No Thunderbolt-enabled products were ready to ship when the new MBPs hit the street and, unless we missed something at NAB, they're still not available. Still, you can expect to eventually see a ton of Thunderbolt goodness shipping, starting this summer.... »
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| 06|11|2009 |
By Debra Kaufman
At CineGear 2009, a group of top-notch ACE editors—Mark Goldblatt, Michael Tronnick, Maryann Brandon, Maysie Hoi and Tina Hersch—got together to showcase some of their more challenging editing sequences and describe what’s going on in the business today.... »
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| 05|12|2006 |
By Bryant Frazer
Judging from recent North American sales, London's Root6 Technology has made inroads in Hollywood and elsewhere with its ContentAgent XR "universal encoding platform."... »
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| 05|08|2006 |
By Bryant Frazer
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| 05|08|2006 |
By Bryant Frazer
Makes reading even the tiny news scroll at the bottom of the CNN frame a snap.... »
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| 05|08|2006 |
By Bryant Frazer
Codex is shipping its digital recording system, supporting uncompressed 4K, two channels of 4:4:4 HD or one channel of HD at up to 60 fps.... »
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| 05|08|2006 |
By Bryant Frazer
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| 05|08|2006 |
By Bryant Frazer
A $5,000 software-only version of Media Composer will finally allow Avid editors to take that show on the road.... »
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| 05|08|2006 |
By Bryant Frazer
As image-quality requirements bump up against bandwidth-based reality,
it’s more clear now than ever that when you select a camera you’re
already starting to determine your optimal post-production process.... »
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