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| 05|12|2006 |
By Bryant Frazer
Judging from recent North American sales, London's Root6 Technology has made inroads in Hollywood and elsewhere with its ContentAgent XR "universal encoding platform."... »
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| 05|08|2006 |
By Bryant Frazer
... »
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| 05|08|2006 |
By Bryant Frazer
Makes reading even the tiny news scroll at the bottom of the CNN frame a snap.... »
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| 05|08|2006 |
By Bryant Frazer
Codex is shipping its digital recording system, supporting uncompressed 4K, two channels of 4:4:4 HD or one channel of HD at up to 60 fps.... »
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| 05|08|2006 |
By Bryant Frazer
... »
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| 05|08|2006 |
By Bryant Frazer
A $5,000 software-only version of Media Composer will finally allow Avid editors to take that show on the road.... »
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| 05|08|2006 |
By Bryant Frazer
As image-quality requirements bump up against bandwidth-based reality,
it’s more clear now than ever that when you select a camera you’re
already starting to determine your optimal post-production process.... »
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| 11|01|2005 |
By Michael Grotticelli
From 2K and 4K resolutions for digital-intermediate work to high-definition video at high-definition video at 1920x1080, the key technology on display at IBC offered affordable ways to fix it in post... »
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| 10|01|2005 |
Sony’s first three XDCAM HD products, the PDW-F330 camcorder and the PDW-F30 and F70 decks, will not ship in volume until the second quarter of 2006.... »
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| 10|01|2005 |
By Michael Grotticelli
Grass Valley opened more than a few eyes at IBC when it introduced the new Infinity camcorder, offering multiformat acquisition with a choice of compression formats, SD and HD acquisition, and multiple types... »
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