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| 06|11|2009 |
By Debra Kaufman
At CineGear 2009, a group of top-notch ACE editors—Mark Goldblatt, Michael Tronnick, Maryann Brandon, Maysie Hoi and Tina Hersch—got together to showcase some of their more challenging editing sequences and describe what’s going on in the business today.... »
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| 05|12|2006 |
By Bryant Frazer
Judging from recent North American sales, London's Root6 Technology has made inroads in Hollywood and elsewhere with its ContentAgent XR "universal encoding platform."... »
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| 05|08|2006 |
By Bryant Frazer
... »
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| 05|08|2006 |
By Bryant Frazer
Makes reading even the tiny news scroll at the bottom of the CNN frame a snap.... »
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| 05|08|2006 |
By Bryant Frazer
Codex is shipping its digital recording system, supporting uncompressed 4K, two channels of 4:4:4 HD or one channel of HD at up to 60 fps.... »
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| 05|08|2006 |
By Bryant Frazer
... »
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| 05|08|2006 |
By Bryant Frazer
A $5,000 software-only version of Media Composer will finally allow Avid editors to take that show on the road.... »
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| 05|08|2006 |
By Bryant Frazer
As image-quality requirements bump up against bandwidth-based reality,
it’s more clear now than ever that when you select a camera you’re
already starting to determine your optimal post-production process.... »
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| 11|01|2005 |
By Michael Grotticelli
From 2K and 4K resolutions for digital-intermediate work to high-definition video at high-definition video at 1920x1080, the key technology on display at IBC offered affordable ways to fix it in post... »
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| 10|01|2005 |
Sony’s first three XDCAM HD products, the PDW-F330 camcorder and the PDW-F30 and F70 decks, will not ship in volume until the second quarter of 2006.... »
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