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11|01|2005

Fearlessly 4K

By Michael Grotticelli

From 2K and 4K resolutions for digital-intermediate work to high-definition video at high-definition video at 1920x1080, the key technology on display at IBC offered affordable ways to fix it in post...  »
10|01|2005

Sony Upgrades XDCAM to HD

Sony’s first three XDCAM HD products, the PDW-F330 camcorder and the PDW-F30 and F70 decks, will not ship in volume until the second quarter of 2006....  »
10|01|2005

Infinity Records to Disk or CompactFlash

By Michael Grotticelli

Grass Valley opened more than a few eyes at IBC when it introduced the new Infinity camcorder, offering multiformat acquisition with a choice of compression formats, SD and HD acquisition, and multiple types...  »
07|01|2005

Bringing DI Down to Earth

By George Jarrett

If you could find them, the few DI doubters wandering about Las Vegas were nervous at the prospect of new workflows....  »
06|01|2005

The Big Picture at NAB

By Bryant Frazer

Yes, there were cameras at NAB this year. But the news wasn’t about how you’ll be acquiring images in the future, but what you’ll do with them once you get them. Sub- $10,000 HD cameras can record to DV...  »
04|01|2005

Finishing: Digital Finishing Is Just Getting Started

By Alison Johns

"Objects in mirror are closer than they appear," is a message Charles S. Swartz, CEO/executive director of the Entertainment Technology Center at USC, likes to apply to some of the faster-moving...  »
04|01|2005

Graphics: Better, Cheaper and Faster?

By Debra Kaufman

Better, cheaper, faster— those three demands for graphics are never, ever satisfied at the same time. But it’s still a relentless mantra in the graphics business. Until recently, Adobe Systems has also...  »
04|01|2005

Editing: HDV Cutting Goes Native

By Michael Grotticelli

With great fanfare, Apple Computer’s CEO Steve Jobs predicted that 2005 would be "the year of HD video editing." That winter day at MacWorld, Jobs was joined on stage at the Moscone Center by...  »
04|01|2005

Cameras & Lenses

By Bryant Frazer

HD is slowly gaining footholds in the rarefied feature film world, with high-profile, sky’s-the-limit projects like Collateral and the Star Wars movies showing just what’s possible with the new breed of...  »
01|01|2005

The Boutique DI

By George Jarrett

Software color-correction was all the rage at IBC, as vendors in the DI market extended their commercial strategies to take the DI ethos, first perfected for movies, down to the boutique level and into other...  »

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