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| 01|18|2012 |
By Bryant Frazer
GoPro today announced a new version of its CineForm Studio lineup that it hopes will help build a bridge between professionals and enthusiasts who use its rugged $300 HD cameras.... »
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| 11|11|2011 |
Special to StudioDaily
Real Steel, directed by Shawn Levy and released by DreamWorks, imagines a future world where powerful robots replace human athletes in the boxing ring. While no robots assisted in the making of the movie, there was a futuristic element to the production — Real Steel pioneered the use of gear and technology from Codex Digital for a feature-film workflow.... »
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| 06|14|2011 |
By Bryant Frazer
Working on a DI at Company 3? Deluxe Entertainment Services hopes you'll let Method Studios, which shares an Arizona Avenue address with C3, handle all your stereo-3D alignment fixes at the same time.... »
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| 06|07|2011 |
By Bryant Frazer
The new availability of inexpensive but high-end color grading options is also having an effect on set, where savvy productions are using portable versions of the Resolve to set new looks during production without relying on the use of LUTs farther down the pipeline.... »
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| 04|19|2011 |
By Bryant Frazer
Quantel came to NAB this year with the cloud on its mind. Touting "global teamworking," the company was positioning its new QTube system for accessing and editing footage over IP connections as a revolutionary new tool.... »
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| 02|09|2011 |
By Bryant Frazer
Justified returns tonight for a second season on FX, and cinematographer Francis Kenny, ASC, says the show looks better than ever. Why is that? The show upgraded from the F35 to Sony’s newer SRW-9000PL in the hiatus, but the important thing is that Justified upgraded its image processing. Tonight, Justified becomes the first show to be broadcast using a new color-encoding workflow for television and digital cinema.... »
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| 10|19|2010 |
By Bryant Frazer
Teaser... »
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| 10|04|2010 |
By Bryant Frazer
Bringing Childrens Hospital to television meant planning a workflow that would preserve the creative energy that made the online version a success.... »
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| 09|15|2010 |
By Bryant Frazer
When Panasonic announced earlier this month that Bexel was using Panasonic's cameras in stereo rigs from 3ality and Parallax3D, it represented more than a technology partnership between the two companies. It's a new strategy for Bexel, which has outfitted its existing BBS1 truck to support stereo 3D production in hopes that it can facilitate experimentation in the industry.... »
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| 05|26|2010 |
By Bryant Frazer
As an early user of CineForm’s Neo3D editing workflow, Don Wilson was one of the guinea pigs who helped CineForm make Apple’s Final Cut Pro stereo-friendly. F&V talked to him about his career, his stereo workflow, and why he thinks cutting concerts in 3D is actually easier.... »
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