How Next-Gen Audio Pros Are Leveraging Desktop Technology to Change the Face of Post
By Dan Daley
February 1, 2006 Source: Film & Video
Eric Lalicata and Ken Skoglund aren’t your conventional sound guys. They’re working on the James Cameron film Aliens of the Deep — shooting sound files back and forth, editing them and logging them for the next stage of the project. There’s nothing unusual about their workflow—except that Lalicata and Skogland are working on two different continents.
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Eric Lalicata (left) and Mandell Winter (above) have working environments that are completely digital and very compact.
Comments (2)
1.
HI,
I was wondering if you have incorporated any ADR in your work flow and if the tradition ISDN is still the way to go or has bradband internet found a place for this?
Thanks,
Robert
Posted by Robert Bigelow on Thursday, October 18, 2007 @ 02:38 AM
2.
There are ways of easily syncronizing files or archives down to the bit or sector level, so that if any changes are made, only the actual portions of the file that have changed are syncronized to a central file. You can have a central FTP with a raw unedited archive file, then a secondary archive that will recieve edits. Then any satellite user can copy that file and make edits and as this happens, those edits are synchronized instantaneously, instead of having to re-upload the whole file.
Posted by Chris Hernandez on Tuesday, October 14, 2008 @ 01:41 PM
