By now it’s no secret — the Digital Intermediate (DI) is the fastest-grown delivery standard in the history of Hollywood studio films. From the start, Hollywood filmmakers were served by a DI culture that was something of a closed, dark-art business. Most of that culture grew from demand created by A-list filmmakers who insisted on the creative control offered by a digital DI process and unavailable elsewhere. On the other side of the tracks, indie filmmakers have always walked the divide between pinched budgets and deeper ambition. Until recently, real DI and DI culture for true indies was a pipe dream. No longer.
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Before-and-after DI work showing the color transformation on Splinter.
Revealing detail in Scratch.
Comments (2)
1.
i want to know how digital colour film analyzer works.thank you
Posted by malathi on Thursday, February 1, 2007 @ 09:23 AM
2.
Hey, im looking to create a short film for my final year project at uni using alot of colour. I've got experience in after effects but am abit wobbly when it comes to colour in post.
Any ideas or suggestions pointing me in the right way would be ace
cheers
Posted by Sarah on Friday, September 28, 2007 @ 10:24 AM
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