Panavision, da Vinci Systems, Gamma & Density, and Modern VideoFilm all came together at Cine Gear Expo 2008 to reveal what happened the first time the ASC’s CDL has been put to a real-world test, on the forthcoming State of Play, shot on 35mm film and the Panavision Genesis by cinematographer Rodrigo Prieto.
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Were the CDL values passed through picture editorial and a list generated from there, or was there a seperate database used as a reference for all shots used?
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