Keyframe Digital Fills a VFX Warehouse for Syfy

Keyframe co-founders Clint Green and Darren Cranford lead the shop on a production task that can include upwards of 200 different effects per show.»

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Production Workflow for Investigation Discovery's The Shift | Making Glee Sing on Fox | DP Chris Faloona on Melrose Place

Co-Producer Bryan Carroll on the Tech Behind Public Enemies

A turning point in the career of Public Enemies producer Bryan Carroll was when he worked as a film and visual effects editor for James Cameron on Titanic. “That’s what sparked my interest into shooting movies digitally from script to screen,” he said. »

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Moving More VFX to the DI Suite | Director Joachim Back on "The New Tenants" | Film Editor Alex Rodríguez Gets Animated

A Stop-Motion Pitch for Diet Dr. Pepper

“You can wait your whole life,” says animation director Ken Lidster, “to get a script that has the opening line: ‘Open on a stop-motion animated world in which Santa, the Easter Bunny, the Tooth Fairy, Sasquatch, a leprechaun, an alien, and a Diet Dr. Pepper deliveryman discuss the public’s inability to believe in them.’” »

Beyond Final Cut Pro, Red Workflow Options Abound

It is possible to work with .R3D files even without formal support in your editorial tools — just work out the conversion to DPX files. »