"There’s so much to organize in a film cutting room," says editor Dylan Tichenor (Jazz’34, Magnolia) from his studio in Rye, NY. Managing and tracking movie dailies, visual effects, and music/scene continuity are among his chief concerns, but Tichenor, who took the job of editing Ang Lee’s forthcoming Brokeback Mountain after Geraldine Peroni (The Player) passed away, revealed one strategy he employs for staying efficient: ditching the main hand-written codebook.
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