Vancouver's Image Engine completed 311 visual-effects shots for the film, with the responsibility of animating three main characters as well as the larger numbers of aliens populating the film. So how did a largely unheralded Vancouver VFX facility land the job of creating amazing CG aliens for one of the coolest movies of the summer? »
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None of Dive's work for the film is especially flashy — unlike the teen-romance themed Twilight or the gleefully carnal True Blood, Let Me In could be described as a low-key horror drama with coming-of-age overtones, and it required unobtrusive VFX that were absolutely photoreal to match the story. »
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Director Frederick Wiseman on Burlesque Doc Crazy Horse »
Director Lynne Ramsay on Photography, Filming Novels, and Europeans in the U.S. »
Cinematographer Tim Orr on Shooting The Sitter »
Music Mixer Scott Millan on Salt »
Sound Effects Editor Mark Stoeckinger on Unstoppable »
Posting Predators at Troublemaker Studios »
Colorist Trent Johnson On Priest's 4KÂ DI »
Tapeless TV Workflow for Childrens Hospital »
DI in a Day? Proceed With Caution »
VFX Supervisor Scott Farrar on Transformers: Dark of the Moon »
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Building Massive Environments for Immortals »
