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Pitch-Black VFX for Fast & Furious
Fast & Furious had many artists at Double Negative working in the dark. Literally. Three sequences in the film have chases through mine shafts. Two of those tunnels were unlit except for car headlights and taillights, and one had only overhead tungsten lights with shades. »
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ILM Builds the Bots for IMAX Shots in Transformers Sequel | Spec Director Scores Super Bowl Slot With Red-lensed Doritos Ad | Fine-Tuning the Digital Image for Benjamin Button 
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In-Camera Sleight-of-Hand for Honda Insight
Cinematographer Eric Treml says 95 percent of the “reveal” shots were accomplished in camera. Significant compositing and rotoscoping was necessary for clean-up, but there was not a single green screen shot. »
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Co-Producer Bryan Carroll on the Tech Behind Public Enemies | ILM Builds the Bots for IMAX Shots in Transformers Sequel | Field-Testing the HPX300 
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