Nurturing the Market for TV Over Data Networks and On Your Phone

Post your comments below

Stockholm-based Net Insight, whose U.S. customers include Broadwing and Savvis, offers products that aim to guarantee quality of service while also maximizing network utilization for video. It does this by building products around a platform that it says utilizes the maximum available bandwidth for video rather than requiring an overbuilt network to ensure quality. That may be a subject for another magazine — check netinsight.net for links to coverage of the company’s Nimbra platform in the cable industry — but we asked the company’s founder and head of business development, Per Lindgren, to talk to us about the market for digital TV and mobile TV both inside and outside the U.S.




FILM & VIDEO: Who are your customers in production and post?

PER LINDGREN: In production, we’re seeing a number of different clients in the post and broadcast areas that are either buying services or building their own private networks. More so in Europe, they’re using SDI and HD-SDI to build their own networks. Large broadcasters have fully uncompressed connections from their cameras to monitors, not only in the studio but over fiber networks between different cities and over the public networks. They’re centralizing content machines and content so you don’t have to distribute both equipment and storage. You can be more centralized, and do remote editing across a fibre-based network. Right now, the delays and quality of service make it feel like you’re sitting in the same building, instead of in two different cities. One of the biggest German post houses has built a five-city network using a GUI on top of our equipment that lets them set up five locations for remote editing and playing uncompressed feeds for client review. That’s a very state-of-the-art network, carrying compressed feeds but also uncompressed HD and SD.

Clients can buy this as a service. In the U.S., Vyvx has been the traditional leader, but the runner-up is Broadwing, using our equipment, and sending not only compressed but also uncompressed HD and SD feeds over our backbone. As a broadcaster or post house, you can lease capacity and buy the equipment yourself. In that sense, you can better set up how you use feeds for different types of applications. You may have more file transfers and large data applications, but in parallel with real-time HD and SD feeds.

What about in distribution?

There are many different platforms. We have the traditional playouts, with cable and satellite being complemented with IPTV and even mobile TV capabilities. Especially here in Europe, digital terrestrial TV is huge. In large countries where you don’t have a large penetration of cable and satellite, you now see penetration rates of 25 to 40 percent for terrestrial digital TV distribution. It’s national buildouts where we take in the feeds from the central head end and distribute that MPEG-2 — and, more and more, MPEG-4 — out to mirror sites, where it goes out over the air to a set-top box.

For mobile TV, there are a number of trials and even some initial rollouts. Italy and Finland are using DVB-H mobile TV. This is a parallel network to the live TV broadcast over the terrestrial network. In handhelds, you have dual receivers, one data and one DVB-H or Mediaflo receiver. Mobile operators are looking at rollouts or trials for mobile TV in the U.S. And these different distribution forms combine with different distribution models — who is getting paid by the end customer, and who gets paid from the content owners?

We’re also seeing people like Google and Yahoo looking at building their own private services for video applications and real-time streaming. They might be another player in this.

Where does Net Insight fit into the picture?

We offer video network transport equipment. Our focus is on video-intensive networks and content-production networks. If a broadcaster wants to buy its own private media network for both production and distribution, typically they build a network for HD-SDI, and we can provide LAN-to-LAN and IP data feeds over the same network so they don’t have to buy that network separately. The same goes for post-production, video content creators and others, with a focus on HD. We typically don’t provide storage, but we can provide transport between storage systems. We do the pipes, so to speak.

And what’s your approach to that?

We multiplex the different feeds along the same fiber or pipe, using the leased-line capacity clients have. We see problems as soon as you start adding a lot of video because legacy networks, traditional optical transport networks, are quite rigid in their structure. IP networks, because of the quality-of-service burdens, are typically using priority schemes. When you have a majority of traffic going to video, priority schemes have problems coping. So we are helping the IP legacy networks cope with the quality-of-service and multicast issues they face today.

What factors are holding digital TV and mobile TV back, especially in the U.S.?

For subscribers, the content hasn’t really been there. Why would you buy something you already have if you’re not getting anything extra? One of the key things we’ve seen in Europe is that IPTV is successful when you have exclusive content, typically some type of sports content. In Italy, where they don’t have a lot of cable, IPTV penetration increased tremendously as soon as they got all the soccer rights, and the service was a commercial success. Also, they want to provide HD in the future, so people have been waiting for next-generation compression and set-top boxes that can handle it.

The trend in Europe is toward mobile TV, with a lot of trials going on and roll-outs being planned for next year. There is DVB-H and the Mobile TV alliance with Motorola, Nokia and Microsoft. The other initiative is MediaFlo, with Qualcomm behind it. Another big thing happening is digital terrestrial television as a complementary platform to telco IP and cable and satellite digital TV. Typically, this is driven by a desire to shut off the analog networks and free up spectrum in the air for more mobile services like mobile TV.

Is IPTV going to expand the range of content available to viewers?

That’s one of the nice things about IPTV and IP video — local insertion is much easier to handle from anywhere on the network instead of having a centralized approach via a cable TV provider and a central head end. Now it’s much easier to do local TV channels, local sports or local government coverage. The next step is more content also coming from subscribers. As soon as we can get good quality of service from anywhere on the network out to subscribers, we’ll see more local content and more personalized content being provided to subscribers, from professional large media companies and also from amateur sites.

In the U.S., “net neutrality” has become a political issue. Is that a factor in successful IPTV rollouts?

Yes. In many European countries, the government gives money to local communities to build large fiber networks. Now it’s not actually telcos who provide fiber infrastructure — it’s typically the communities. A very similar discussion of net neutrality has come up. All different types of service providers and media providers should be able to connect to these media networks, and connect in a fair way. The good thing as a subscriber is you can choose from any service provider or any media provider. If you are connected to the equivalent of Verizon you only have Verizon as an alternative for your IP, broadband service, and only for what they are providing in terms of content. And that ties into the same questions. The problem is it’s harder for the actual ISP to justify going into the smaller cities. If you know you’re one of the first you can expect a certain penetration. But if you have to [share the market with] competitors, your ROI will most likely be lower or longer.

Is digital cinema becoming an important market?

[Net Insight customer] Broadwing has already done things for digital cinema distribution over their network. Discussions have been going on for a number of years, but we are now close to seeing a roll-out. We also discussed these applications a couple of weeks ago with a large media company in Asia, and they’re also seeing this as a very big opportunity — but it’s hard to predict when it will take off. From a technology point of view it’s possible today. But it’s also a mindset that has to be changed. We are used to certain distribution models and ways of doing things, and there are content security issues. Changing those patterns takes a while. But I’m pretty positive that we’ll see some roll-outs next year.



Bookmark and Share

Post a Comment

Name:
Email:
Comments:

Please enter the letters or numbers you see in the image.
Your message will be reviewed before it is posted

Subscribe to StudioDaily Podcast


  check it out   join    
  flash video mini-site   get more   store  
 
News, analysis, tips and tricks served up daily at the new Studio Daily blog.
 
Bringing you news, features and tutorials at 30 frames per second.
Video commentary from directors. editors and VFX artists.
 
downloadable tutorials final cut pro after effects motion
 
           
    FILM & VIDEO © 2008 Access Intelligence LLC. All Rights Reserved.