60-Second Q&A: Grammys Production Mixer Tom Holmes
02|24|2009 – Bryant Frazer
We caught up with TV sound mixer Tom Holmes via email to talk about mixing sound for this year's Grammys.... »
60-Second Q&A: Niall Feldman, Director of New Products, Solid State Logic
11|18|2008 – By Bryant Frazer
When Solid State Logic (SSL) looked at reconfiguring its state-of-the-art demonstration area for its high-end audio equipment, it saw an opportunity to bring its facility’s wiring for HD video and multichannel audio into the 21st century. Using a combination of design ingenuity, technology savvy, and energy awareness, SSL ended up with a more efficient, more flexible facility. We asked Niall Feldman for more details on the new installation.... »
60-Second Q&A: Stuart C. Deutsch, C.A.S./Sound Engineer, Brooklyn, NY
09|09|2008 – By Michael Grotticelli
In terms of sound recording and mixing for film and HD video production, Emmy-nominated audio engineer Stu Deutsch has done it all. From operating a boom microphone for Pee Wee’s Playhouse on CBS in 1986 to mixing sound for Spike Lee's documentary When The Levees Broke: A Requiem In Four Parts in 2006 to his most recent project, serving as recording supervisor for Nickelodeon’s latest hit show, The Naked Brothers Band, his goal is always the same: to acquire the best audio elements, often under the most difficult circumstances.... »
Solid-State Surround Sound Recording in the Field
09|09|2008 – By Michael Grotticelli
Zaxcom, the company that engineered the first digital wireless microphone and the first wireless microphone to feature integrated audio recording, now markets its Fusion High-Resolution Audio Recorder/Mixer.... »
Q&A: Louis Bertini, sound editor/mixer
06|24|2008 – By Michael Grotticelli
Bertini is a veteran sound editor/mixer of numerous high-profile television shows, including all six seasons of HBO’s Sex In The City and the CW Network’s Life Is Wild. His specialty is automated dialogue replacement (ADR) and creating original sound effects.... »
Streaming the (Intimate) Moment in 5.1
06|24|2008 – By Michael Grotticelli
Capturing the true essence of 5.1 surround sound is getting easier and less complex with each passing day. The demand for such recordings, to accompany HD music videos, is increasing as well, as virtually every home-theater receiver now enables viewers to hear the multichannel audio.... »
Q&A: Benjamin Cook, sound effects editor/mixer
05|06|2008 – By Michael Grotticelli
Cook used the Holophone H3-D Surround microphone for on-location sound effects work in remote parts of Australia. The H3-D provides 3-D surround audio via six discrete channels from a single unit with no external mixing or signal manipulation needed.... »
- Keisoku Giken Offers Uncompressed Recording in Stereo
- Panasonic Makes the HPX300 a Studio Camera
- The Foundry Releases RollingShutter Plug-in for CMOS Artifacts
- Envivio Knocks HD IPTV Bitrate Requirements Below 6 Mbps
- TPMGEnc Adds 1080p DivX Support
- NetBlender Adds AVC Encoding to Blu-ray Authoring Package
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