60-Second Q&A: Stuart C. Deutsch, C.A.S./Sound Engineer, Brooklyn, NY

09|09|2008 – By Michael Grotticelli

In terms of sound recording and mixing for film and HD video production, Emmy-nominated audio engineer Stu Deutsch has done it all. From operating a boom microphone for Pee Wee’s Playhouse on CBS in 1986 to mixing sound for Spike Lee's documentary When The Levees Broke: A Requiem In Four Parts in 2006 to his most recent project, serving as recording supervisor for Nickelodeon’s latest hit show, The Naked Brothers Band, his goal is always the same: to acquire the best audio elements, often under the most difficult circumstances....  »

Solid-State Surround Sound Recording in the Field

09|09|2008 – By Michael Grotticelli

Zaxcom, the company that engineered the first digital wireless microphone and the first wireless microphone to feature integrated audio recording, now markets its Fusion High-Resolution Audio Recorder/Mixer....  »

Q&A: Louis Bertini, sound editor/mixer

06|24|2008 – By Michael Grotticelli

Bertini is a veteran sound editor/mixer of numerous high-profile television shows, including all six seasons of HBO’s Sex In The City and the CW Network’s Life Is Wild. His specialty is automated dialogue replacement (ADR) and creating original sound effects....  »

Streaming the (Intimate) Moment in 5.1

06|24|2008 – By Michael Grotticelli

Capturing the true essence of 5.1 surround sound is getting easier and less complex with each passing day. The demand for such recordings, to accompany HD music videos, is increasing as well, as virtually every home-theater receiver now enables viewers to hear the multichannel audio....  »

Q&A: Benjamin Cook, sound effects editor/mixer

05|06|2008 – By Michael Grotticelli

Cook used the Holophone H3-D Surround microphone for on-location sound effects work in remote parts of Australia. The H3-D provides 3-D surround audio via six discrete channels from a single unit with no external mixing or signal manipulation needed....  »


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