How They Did It: Bringing Creatures to Life in Discovery Networks' Online Promos
02|09|2012 – By Scott Strohmaier
They’re ferocious, vicious, dangerous and they’re headed straight for you … online. Discovery Network’s Web promos for hit shows River Monsters and Shark Week offer up a heart-pounding view of some frighteningly real underwater creatures brought to life with of Maxon’s Cinema 4D and Adobe After Effects.... »
Visual Effects Society Lauds Rise of the Planet of the Apes, Hugo
02|08|2012 – By Bryant Frazer
In what could be a harbinger of Oscars to come, the Visual Effects Society gave its two top awards to Rise of the Planet of the Apes and Hugo.... »
VFX Supervisor Scott Farrar on Transformers: Dark of the Moon
02|06|2012 – By Barbara Robertson
Scott Farrar received his first Oscar nomination for best achievement in visual effects for Cocoon, and went on to win the Oscar in 1996 for his work on that film. At that time, he was a visual effects cameraman at Industrial Light & Magic. Since then, as a visual effects supervisor at ILM, he has stacked up five more Oscar nominations, the sixth for Transformers: Dark of the Moon, an award he shares with Scott Benza of ILM, Matthew E. Butler of Digital Domain, and special effects supervisor John Frazier.... »
Technicolor Buys French Post Facility Duboi
02|03|2012 – By Bryant Frazer
Expanding its digital filmmaking operations in Europe, Technicolor has purchased Paris digital post house Duboi.... »
World War 7 Brings 3D Glasses to the Rock Concert
02|02|2012 – By Bryant Frazer
On Friday, February 3, indie rock band Saint Motel will perform at the Soho House in West Hollywood, accompanied by what World War 7 (WW7) Creative Director Josh Ferrazzano describes as "a multimedia, stereoscopic, psychedelic spectacular."... »
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
02|01|2012 – Press Release
Blackmagic Design today released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update.... »
Apple Reinvents Multicam Editing in Final Cut Pro X v10.0.3 Update
01|31|2012 – Beth Marchant
This morning Apple announced Final Cut Pro X v10.0.3, an update that should close the gap on key features previously found in FCP7 but still missing in FCPX, notably multicam editing and video out support for broadcast video monitoring, both promised last September. The update went live in the Mac App Store this morning at 8:30 am ET/5:30 am PT. It is free to existing users and remains a $299.99 download for new users.... »
Facility Profile: Home Depot Television
01|31|2012 – By Bryant Frazer
As Home Depot Television moved toward a tapeless workflow in mid-2010, it pulled the trigger on a Harmonic Omneon system that included a four-channel MediaDeck server, 12 TB of MediaGrid storage, the Media Application Server (MAS), and the ProXplore clip-and-metadata management system. The final piece of that puzzle has just fallen into place thanks to a front end from XenData that integrates the Omneon system with an 80-tape Qualstar robotic library. We talked to Dave White, manager of HDTV, and Bruce Covey, manager of business TV engineering for HDTV, about the installation.... »
Tech Report: Thunderbolt, SSDs, and Storage Trends for 2012
01|31|2012 – By Bryant Frazer and Beth Marchant
With last year's introduction of the Thunderbolt interface, the mobile editing workstation really came into its own. Some observers speculated that the super-high-speed jack, which makes incredibly powerful peripherals truly portable, was a signal of the impending demise of the decidedly non-portable Mac Pro tower. And when it came to portable power in 2011, more editors and VFX artists than ever started eyeballing solid-state storage as a potential win for their mobile workstations. The drives remain quite expensive compared to spinning disks, but with hard-drive prices sky-high in the aftermath of major floods in Thailand, they didn't seem quite so extravagant by year's end. Curious how the makers of increasingly mobile desktop software packages were seeing their user's experience changing, we asked reps from the big three makers of nonlinear editing software — Adobe, Apple and Avid — about Thunderbolt, SSDs, and what other storage trends they expect to make the difference for their customers this year.... »
EditShare Ships New Ark Update
01|30|2012 – Press Release
EditShare, the technology leader in shared media storage and end-to-end tapeless workflow solutions, today announced the availability of a new version of EditShare Ark, the company's backup and archiving solution.... »
Autodesk Selects Dot Hill Storage for High-end Post-Production Solutions
01|30|2012 – Press Release
Dot Hill Systems Corp., a leading provider of Unified Virtual Storage and SAN storage solutions, announced it has entered into a supply agreement with Autodesk, Inc., a leader in 3D design, engineering and entertainment software.... »
Editor Lisa Bromwell on Cutting The Surrogate
01|27|2012 – By Bryant Frazer
The Surrogate was shot on the Red One MX and edited on a software-only Avid Media Composer system by Lisa Bromwell, an Avid veteran who took on the film as a rare unpaid gig because she believed in the material. When we spoke to her this week, she had just returned from the film's world premiere in the cavernous Eccles Theater in Park City and was already back at work cutting two episodes of Criminal Minds, but she said The Surrogate represented a satisfying departure from her normal mix of editorial jobs.... »
Review: Nexto DI Mobile Data Storage System
01|26|2012 – Barry Braverman
The advent of multiple file-based recording formats and camera systems necessitates a new generation of efficient data management tools like the Nexto DI, which can accommodate, off-load, and store a range of data protocols and media types. From Alexa and SxS to XDCAM EX and P2 today’s shooter/filmmaker working project to project and (often) from producer to producer may frequently use a variety of cameras from just as many manufacturers.... »
How They Did It: The Art of Flight Opening Titles
01|25|2012 – By Scott Strohmaier
Two years in the making, The Art of Flight is a sports-action film that takes audiences on an epic snowboarding journey.... »
Hugo Leads Oscar Nominations, with The Artist Close Behind
01|24|2012 – By Bryant Frazer
Defying some expectations that awards powerhouse The Artist might dominate the proceedings, director Martin Scorsese's Hugo earned the most nominations of any film honored by the Oscars this morning, nabbing a spot in categories including Best Picture, Directing, Cinematography, Editing, Sound Editing, Sound Mixing, and Visual Effects.... »
- Keisoku Giken Offers Uncompressed Recording in Stereo
- Panasonic Makes the HPX300 a Studio Camera
- The Foundry Releases RollingShutter Plug-in for CMOS Artifacts
- Envivio Knocks HD IPTV Bitrate Requirements Below 6 Mbps
- TPMGEnc Adds 1080p DivX Support
- NetBlender Adds AVC Encoding to Blu-ray Authoring Package
| |
| Contact the Editors |
• Graphic Artist - Scientific Games - Alpharetta, GA
• SENIOR FLASH/AS3 DEVELOPER - Scientific Games - Alpharetta, GA
• ANDROID/iOS MOBILE DEVELOPER - Scientific Games - Alpharetta, GA
• Director of Sales, Variety Insight - Variety - Los Angeles, CA
• Executive Director - TV Writers Fund for the Future - Los Angeles, CA
• Senior Director, Corporate Communications - WWE - Stamford, CT
• Motion Graphic Designer - Bell Media - Agincourt, Canada
• Production Sound Instructor - Columbia College Hollywood - Tarzana, CA
