Film Post Production manager - Emerson College - Boston, MA Emerson College Video Production Managers - SBGLOBAL SOLUTIONS - San Jose, CA SBGLOBAL SOLUTIONS Production Assistant-SNY - Comcast Sports Group - New York, NY Comcast Sports Group Production Designer - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc. Art Director - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc. Director - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc. Producer - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc. Video Producer - GE Energy - New York, NY GE Energy
Animate Vector PDF Documents with Noise Industries FxFactory Pro
Add keyframes and motion blur to PDF documents featured in documentaries, news spots or training videos without bulking up your file size or render times. »
Editors talk Avid, Apple, Adobe
At the AlphaDogs Editors' Lounge, a panel of editors discuss the battle for the NLE market, including the future of Avid, whether Apple is committed to its Pro Apps and how Adobe may just sneak up and overtake them both in coming years. »
Field-Testing the HPX300
When director Bryan Gunnar Cole and cinematographer Peter Nelson headed to North Florida to shoot wildlife footage at the 7,000-acre White Oak Conservation Center, the first production question that had to be answered was which camera system to use. They ended up wrangling a pre-release version of the AG-HPX300 P2 camcorder. »
DPÂ Dante Spinotti on Public Enemies
Public Enemies, the John Dillinger biopic directed by Michael Mann and starring Johnny Depp, Christian Bale and Marion Cotillard, is one of the summer’s most hotly anticipated films. The feature pairs Mann with his frequent collaborator, cinematographer Dante Spinotti, ASC, AIC, who also shot — on 35mm film — Mann’s The Insider (1999), Heat (1995), The Last of the Mohicans (1992) and Manhunter (1986). This time, having had good experiences with the three digital features already under his belt (2007's Slipstream and 2008's Deception and Flash of Genius ), Spinotti shot digitally, using the Sony CineAlta F23 camera system. Film & Video caught up with Spinotti in Australia, where he is prepping for another F23 project, The Chronicles of Narnia: The Voyage of the Dawn Treader , directed by Michael Apted. »
ROI: Matrox MX02
The MXO2 is a portable and completely codec-agnostic input/output (I/O), device that’s designed for a number of workflows. It’s processor dependent, which means that the faster your system is, the better performance you’ll get out of the box (especially when working with HD source material). »
ILM Builds the Bots for IMAX Shots in Transformers Sequel
With over 52,632 parts and nearly 12 million polygons, the robot is the biggest model Industrial Light & Magic has built in its 30 years of model making. And they built the bot for IMAX shots. »
US Cellular "Crayon," Agency: Publicis & Hal Riney (SF), Production Company: Biscuit Films, Director: Tim Godsall, Editorial: Cosmo Street/LA, Editor: Justin Trovato, Post/VFX: Arsenal FX... click here to for more credits and to view past Top Spots .
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