Animator/vfx artist Darren Price of Nexus Productions talks about his first step into the realm of directing, as well as techniques used to get a cel-animation look from CG, with his short film Potapych: The Bear Who Loved Vodka and the animation workflow for the Motorola short in which a bunny travels through the history of cinema. ... »
Chris Menges is a world-class cameraman who has worked on locations ranging from the Amazon and Argentina to Tibet, Vietnam and the Burmese jungle, and won the Oscar for Best Cinematography for his work on The Killing Fields in 1984, and again for The Mission in 1986.... »
Billy Gardner, with 14 years experience as a premier audio mixer and sound designer, talks about mixing the Ford Ironman World Championship, which was shot and aired in HD. ... »
Schy Gleason is the senior editor at Victory Studios, the first post house in the U.S. to offer high-definition editing with the Sony HDCAM format and today provides a full range of HD services... »
F&V got Kevin Tod Haug to talk about doing VFX for Forster’s latest not-a-VFX-film, Stranger Than Fiction, finding good work in Russia, and the VFX industry’s “roving horde” of freelancers... »