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| 08|01|2005 |
By Iain Blair"There are a lot of firsts on this film," says producer Karl Richards of the suspenseful and unconventional love story set in contemporary New England and starring Alicia Silverstone, Sienna Guillory... »
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| 08|01|2005 |
By Dan DaleyMaitland is doing more than recording the film’s sound— he’s making history: this is the first major Hollywood production to rely on software to capture its location audio. The fact that it’s a musical... »
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| 08|01|2005 |
By George Jarrett"We pulled off a full 2K DI for $110K, about $50K less than the lowest bid that we received." — Kyle Jackson The first film Jackson edited, Cats and Mice , was shot on Panasonic’s VariCam. The... »
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| 07|01|2005 |
By Dan DaleyIf you’re seeking the conventional wisdom governing sound design for commercials, you’re going to be disappointed.... »
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| 07|01|2005 |
How do you squeeze 1080p video through a FireWire pipe? Editor Dave Winter and his Venice, CA, creative editorial and design house WinterWorks figured it out when they finished over an hour of basketball... »
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| 07|01|2005 |
By Barbara RobertsonWho let the animals out of the zoo? They did it themselves in PDI/DreamWorks’ wacky feature animation Madagascar.... »
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| 07|01|2005 |
By Debra KaufmanTroublemaker Studios is as far from a typical Hollywood VFX house as it is from Hollywood itself.... »
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| 07|01|2005 |
By Iain BlairCutting-edge automobile technology demands a sportily engineered campaign, so when Japanese agency Hakuhoodo Photo Creative set out to create a 60-second spot for the new Toyota Prius, they went to Anonymous... »
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| 07|01|2005 |
— Michelle PasterThanks to the momentum generated by sales of nearly 3 million DVD box sets and repeated cable airings, Fox’s Family Guy is back by popular demand after its 2002 cancellation in season three. ... »
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| 06|01|2005 |
By Iain Blair"Documentary filmmakers get no respect," laments Billy Baldwin, president of New York’s PostWorks. Baldwin knows documentaries. He’s worked on lauded nonfiction film projects including Oscar... »
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| 06|01|2005 |
By Bob FisherA camera mounted on a gyro-stabilized Lev head is rigged to an Ultimate Arm mounted on a Mercedes SL55 tracking for the high-speed Batmobile chase. Using a remote control, an operator can whip the crane around... »
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| 06|01|2005 |
By Rodney Charters, ASC, CSCThe season’s last episode takes place at night in downtown Los Angeles, with a big sequence between Kiefer and the bad guys. Director/Co-Executive Producer Jon Cassar and I were reminded of Collateral... »
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| 06|01|2005 |
By Debra KaufmanFrom the beginning, says Charters, the show resembled documentary filmmaking more than the typical TV episodic. Co-executive producer Stephen Hopkins directed 12 episodes that first season and stamped his... »
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| 06|01|2005 |
By Bryant FrazerWhen hired to create a series of spots driving viewers from Discovery Networks’ SD channels to Discovery HD Theater, Santa Monica’s Steam decided to do it in full HD style. Steam shot with two Sony F900... »
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| 06|01|2005 |
By Bryant FrazerWith a background in story development and the resume of an author and film scholar, documentarian Laurent Bouzereau is the go-to guy for DVD featurettes chronicling the work of A-list directors including... »
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