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| 05|01|2005 |
By Bob FisherJeff Jur, ASC, and Ric Bota shoot alternate episodes, a tactic pioneered on HBO’s award-winning Carnivale and The Sopranos. Blind Justice revolves around Jim Dunbar, a street-smart New York City detective... »
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| 05|01|2005 |
By Barbara Robertson"On a show for George there are always a ton of things to do for the first time," says John Knoll. "He writes whatever he wants and assumes that we’ll figure it out. He never limits his... »
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| 05|01|2005 |
By Iain BlairWhen top car commercial director Lance Kelleher was hired to showcase Hyundai’s all-new, redesigned 2006 Sonata, he came up with "two firsts" for the series of sophisticated spots created by The... »
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| 05|01|2005 |
By Sharon KennedyJust like Dwight needed a hardtop with a decent engine and a big trunk in director Robert Rodriguez’s visual comic book extravaganza Sin City, The Orphanage had some specific needs of its own to fit into the... »
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| 05|01|2005 |
By Alison JohnsAnyone suggesting that 3D is the way to make digital cinema a compelling and profitable experience for theater owners and filmmakers, knows he’ll encounter a few skeptics: Cinema lovers who reason that no... »
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| 04|05|2005 |
Interviewed by Debra Kaufman
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| 04|01|2005 |
By Tom CatlinAll of Red Sox Nation seemingly held its breath: The Red Sox were one out away from the impossible—a World Series victory. They had been here before; they had been one out away from winning it all in 1986... »
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| 04|01|2005 |
By Beth MarchantThe heart of a documentary is found not just in the way a director coaxes his subjects to tell their story. Though revelatory confessions or even a subtle aversion of the eyes caught on camera can speak... »
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| 04|01|2005 |
By Edith LennonWorking Under A Constant state of deadline pressure for Cher’s concert valediction (maybe), assistant video director and engineer Jason Harvey’s job is to provide the pulsating sights and sounds that back... »
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| 04|01|2005 |
By Iain BlairThe show, which shoots on location all over the L.A. area, has a distinctive look, thanks to the Scotts and DP Ivan Strasburg ( Bloody Sunday, Live From Baghdad, The Corner) who was hired by director Mick... »
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| 04|01|2005 |
By Bob FisherFLASHBACK TO 1982: A young director named Russell Mulcahy telephoned a young cinematographer named Daniel Pearl to chat about an emerging art form called music videos. ... »
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| 04|01|2005 |
By Debra KaufmanEfficient workflow, great images, on budget: these are all magic words, not just for cost-conscious producers but for the cinematographers who paint and frame the images we see on television. With a choice of HD cameras, cinematographers can now... »
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| 04|01|2005 |
New York agency Berlin Cameron initially wanted Japanese anime artists to create a Coca-Cola spot for airing during the Daytona 500. But, after extensive research on the Net, the shop’s producers decided on... »
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| 04|01|2005 |
By Iain BlairFred and Wilma Flintstone are lifted out of the world of the Hanna-Barbera ’70s in a heavily composited 30-second spot for Post Cereal and agency Ogilvy & Mather. "King Cocoa" isn’t just... »
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| 03|01|2005 |
By Peter KleinPeter Klein is a Detroit native specializing in automotive cinematography. His credits include spots for GM, Ford, Chrysler, Audi, Volvo Mazda and Rolls Royce. His recent HD assignments include an... »
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