09|01|2004

Pretend You’re Working On a Feature Film   [Film & Video]

By Bryant Frazer

How do you handle the workload for a TV pilot whose outsized VFX demands feel more like a feature film? If you’re the VFX supervisor for Alias creator J.J. Abrams, you pretend you’re working on a feature...  »
08|01|2004

HydroFlex Takes Sony’s HDW-950 Underwater   [Film & Video]

HydroFlex President Pete Romano knows a thing or two about underwater cinematography. (He’s a former Navy diver whose film credits include Gothika and Pearl Harbor.)...  »
08|01|2004

How DP Dion Beebe adapted to HD for Michael Mann’s Collateral   [Film & Video]

By Bryant Frazer

"Frantically, between takes, we were trying to figure out what was wrong," Beebe recalls. Condensation? No. Did someone smudge the lens? Nope. It turns out that the Collateral crew fell victim to HD...  »
08|01|2004

Getting Sky Captain Off The Ground   [Film & Video]

By Iain Blair

Starring Jude Law and Gwyneth Paltrow, Sky Captain pays homage to such influences as Buck Rogers and Fritz Lang. But the ambitious Paramount release, which was independently produced by Jon Avnet, doesn’t...  »
08|01|2004

How Doc Ock Got Ready For His Close-Ups in Spider-Man II   [Film & Video]

— Barbara Robertson

Spider-Man still does everything a spider can, but the blockbuster Spider-Man sequel gets maximum mileage out of a new villain, the tentacled Dr. Octopus, known as Doc Ock for short. The critical task at Sony...  »
08|01|2004

Working In HD   [Film & Video]

By Bryant Frazer

"Ch- Check it Out," the new Beastie Boys video that features an opening shout-out to "Trekkies and TV addicts," got some old-school VFX and a very fresh HD finish from New...  »
07|01|2004

A Memento From Dody Dorn   [Film & Video]

Interviewed by Debra Kaufman

Editor Dody Dorn stepped into the spotlight with her bravura work on director Christopher Nolan’s Memento, which featured a complex plot almost mathematical in its ordering of confusion to create clarity...  »
07|01|2004

Making a Good Thing Better   [Film & Video]

By Iain Blair

"Restoration is big business these days, and also very competitive. "But that’s great, because it really pushes the companies making the tools to try and outdo each other, and that’s how...  »
07|01|2004

Is Regal’s New HD Simulcasting Digital Cinema?   [Film & Video]

By Debra Kaufman

At the Staples Center, the concert was shot in 1080i HD with 5.1 Dolby Digital audio, transmitted live via satellite, encrypted with proprietary equipment, and then projected at the theatres via Christie...  »
07|01|2004

Packing VFX Heat   [Film & Video]

By Barbara Robertson

Summer is high season for showcasing effects work, the kinds of stunts that rarely make it onto the radar of critics. This summer is no exception...  »
07|01|2004

Practical Stunts: Teaching Normal Guys to Dogsled For Mountain Dew   [Film & Video]

How do you make the most outlandish scenario seem strqangely plausible? When RSA DP/director Samuel Bayer undertook the Mountain DEw spot "Sled" for BBDO, the challenge was depicting an icy race between a dogsled team and a bunch of mushing men....  »
07|01|2004

Sound Designing Riddick’s Alien Landscapes   [Film & Video]

By Dan Daley

Describing how he works with sound effects and design, Scott Gershin reveals a lot when he "orchestrates" these sound elements for film. "Sound effects, sound design, even dialog and ADR - it's all music...  »
07|01|2004

What Makes Music Videos Rock?   [Film & Video]

By Bryant Frazer and Sharon Kennedy

Well, there have been better times to be in music videos. Budgets have lately headed downhill, as the ongoing industry-wide recession drains record company coffers. That makes it difficult, helmers say, to...  »
07|01|2004

Gambling on The Casino   [Film & Video]

The new Fox network broadcast, which debuted June 14, follows the adventures of the new owners of the Golden Nugget Hotel and Casino, Timothy Poster and Thomas Breitling, the duo who bought the casino with...  »
06|01|2004

Digital Intermediate on a Shoestring   [Film & Video]

by Debra Kaufman

Lucky for them, post-production and VFX creatives also see an opportunity to offer the poor man’s DI — although low budget is, of course, a relative term. The DI still adds dollars to the budget, and it...  »

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