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| 05|07|2008 |
By Michael GrotticelliThe declining price of CompactFlash storage components and sleek new product designs saw the advent at this year’s NAB of several camera-mounted tapeless recording units not possible even three years ago.... »
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| 04|24|2008 |
Peter PlantecDon’t go because it’s all in English, or for the wonderful presentations, or even the mind boggling array of master classes and other learning opportunities. Don’t go for the massive industry recruitment events. Don’t even go for the wild, sponsored, hair-come-down parties (well maybe for the parties) Go because solid American talent is in high demand. ... »
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| 04|24|2008 |
By Bryant FrazerRed Digital Cinema was on the NAB show floor this year with its usual tent, a red velvet rope, and a bouncer practicing crowd control. If you didn’t make it in to see the show, here’s a quick rundown of what the team announced.... »
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| 04|23|2008 |
Debra KaufmanThe first thing I noticed about NAB 2008 was the quiet. The reasons? Perhaps because of the absence of Apple and Avid. Definitely because post houses and others hard hit by the writers strike couldn’t afford to come in full force. Other reasons (such as the waning relevance of the trade show)? Too early to tell.... »
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| 04|22|2008 |
By Michael GrotticelliIt was a big year for ENG and field lenses at NAB, with some models getting lighter, some sharper and others more data intensive then ever before.... »
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| 04|22|2008 |
By Michael GrotticelliAt NAB a company called Maximum Throughput, known for its Sledgehammer network storage arrays, showed a server-based workgroup editing solution called MAXedit Server Edition that allows small broadcasters to cost-effectively set-up multi-seat HD/SD editing workgroups. While the software is no substitute for an Avid, Quantel or Thomson workgroup solution—as Giovanni Tagliamonti, the company’s chief executive officer will quickly tell you—it does allow someone to use standard laptops and desktop PCs to handle frame-accurate editing of compressed or uncompressed multi-resolution content.... »
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| 04|22|2008 |
By Michael GrotticelliAs of NAB 2008, we’ve reached the milestone at which cameras can now be considered high-definition without having to belabor the point. HD acquisition is no longer a luxury; it’s a necessary cost of doing business.... »
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| 04|16|2008 |
Matt ArmstrongAt NAB Panasonic announced two versions of the P2 VariCam promising all the functionality of the VariCam with solid state P2 recording. Watch this videos to learn more. ... »
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| 04|13|2008 |
By Bryant FrazerAt a pre-NAB press briefing, Quantel announced Quattro, a new software upgrade shipping later this month that will make Quantel's eQ, iQ and Pablo friendlier to Final Cut Pro projects and enable 1080p60 and 1080p50 post workflows on the iQ and Pablo.... »
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| 04|08|2008 |
By Michael GrotticelliThe Arri Group has introduced the Arrilaser HD/DI, an entry level-model film recorder for digital intermediate (DI) recording that’s initially limited to resolutions up to 2K but can be upgraded with a 4K option if needed.... »
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| 04|08|2008 |
By Michael GrotticelliCinnafilm will unveil its HD1 real-time film-look visual-effects system at NAB, designed to transform HD digital video images to the classic look of film.... »
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| 04|08|2008 |
By Michael GrotticelliWe’re starting to see more and more products supporting the emerging JPEG 2000 (J2K) compression codec. Among the latest, Fast Forward Video announced Elite HD, a camera-mounted digital video recorder (DVR) and player that supports the J2K for recording HD-SDI video signals as digital files.... »
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| 04|08|2008 |
By Michael GrotticelliIDX, maker of battery systems and portable chargers, will show a new low-cost, high-definition version of its CAM-WAVE wireless transmission system at NAB next week that sends uncompressed signals up to 150 feet in line-of-sight shooting, or 100 feet through walls.... »
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