05|07|2008

Doremi Intros the GHX-10 Cross-Converter   [HD Studio]

By Michael Grotticelli

Doremi Labs has introduced the GHX-10, an HD video cross converter that features HDMI, DVI, and SDI connectors that allow for any input to be converted to any output format or scan rate....  »
05|07|2008

Imagine Gets Data Off SxS Cards Fast with ShotPut EXpress   [HD Studio]

By Michael Grotticelli

Imagine Products now offers ShotPut EXpress, an automated offload application for EX SxS cards used with Sony’s XDCAM HD EX cameras. It’s available for both Macintosh and Windows computers....  »
05|07|2008

Retrofitting CompactFlash Recording on the Camera   [HD Studio]

By Michael Grotticelli

The declining price of CompactFlash storage components and sleek new product designs saw the advent at this year’s NAB of several camera-mounted tapeless recording units not possible even three years ago....  »
04|24|2008

What to Expect at FMX   [Studio Daily]

Peter Plantec

Don’t go because it’s all in English, or for the wonderful presentations, or even the mind boggling array of master classes and other learning opportunities. Don’t go for the massive industry recruitment events. Don’t even go for the wild, sponsored, hair-come-down parties (well maybe for the parties) Go because solid American talent is in high demand. ...  »
04|24|2008

Red Goes 3K, 5K — and Puts 4K on a DVD   [Film & Video]

By Bryant Frazer

Red Digital Cinema was on the NAB show floor this year with its usual tent, a red velvet rope, and a bouncer practicing crowd control. If you didn’t make it in to see the show, here’s a quick rundown of what the team announced....  »
04|23|2008

Thoughts on NAB 2008: DI, 3D and (of course) RED   [Studio Daily]

Debra Kaufman

The first thing I noticed about NAB 2008 was the quiet. The reasons? Perhaps because of the absence of Apple and Avid. Definitely because post houses and others hard hit by the writers strike couldn’t afford to come in full force. Other reasons (such as the waning relevance of the trade show)? Too early to tell....  »
04|22|2008

New Lenses Bring Full Spectrum of HD Into View   [HD Studio]

By Michael Grotticelli

It was a big year for ENG and field lenses at NAB, with some models getting lighter, some sharper and others more data intensive then ever before....  »
04|22|2008

Server-Based Editing for Maximum Throughput   [HD Studio]

By Michael Grotticelli

At NAB a company called Maximum Throughput, known for its Sledgehammer network storage arrays, showed a server-based workgroup editing solution called MAXedit Server Edition that allows small broadcasters to cost-effectively set-up multi-seat HD/SD editing workgroups. While the software is no substitute for an Avid, Quantel or Thomson workgroup solution—as Giovanni Tagliamonti, the company’s chief executive officer will quickly tell you—it does allow someone to use standard laptops and desktop PCs to handle frame-accurate editing of compressed or uncompressed multi-resolution content....  »
04|22|2008

HD Cameras Everywhere, For Everyone   [HD Studio]

By Michael Grotticelli

As of NAB 2008, we’ve reached the milestone at which cameras can now be considered high-definition without having to belabor the point. HD acquisition is no longer a luxury; it’s a necessary cost of doing business....  »
04|16|2008

Panasonic P2 VariCam   [Studio Daily]

Matt Armstrong

At NAB Panasonic announced two versions of the P2 VariCam promising all the functionality of the VariCam with solid state P2 recording. Watch this videos to learn more. ...  »
04|13|2008

Autodesk Introduces 2009 Versions of Inferno, Flame and Flint   [Web Original]

Beth Marchant

04|13|2008

Autodesk Adds New Features, Cuts Price of Smoke 2009   [Web Original]

Beth Marchant

04|13|2008

Quantel Adds AAF Final Cut Pro Project Support, Enables 1080p   [Studio Daily]

By Bryant Frazer

At a pre-NAB press briefing, Quantel announced Quattro, a new software upgrade shipping later this month that will make Quantel's eQ, iQ and Pablo friendlier to Final Cut Pro projects and enable 1080p60 and 1080p50 post workflows on the iQ and Pablo....  »
04|08|2008

Arri Intros Entry-Level HD/DI Film Recorder   [HD Studio]

By Michael Grotticelli

The Arri Group has introduced the Arrilaser HD/DI, an entry level-model film recorder for digital intermediate (DI) recording that’s initially limited to resolutions up to 2K but can be upgraded with a 4K option if needed....  »
04|08|2008

Cinnafilm Brings Real-Time Film Look to HD Video   [HD Studio]

By Michael Grotticelli

Cinnafilm will unveil its HD1 real-time film-look visual-effects system at NAB, designed to transform HD digital video images to the classic look of film....  »

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