 |
 |
| 06|01|2009 |
Peter McAuleyBoris Continuum Complete gives you four filters— BCC Deinterlace, BCC Match Grain, BCC Film Process, and BCC Film Damage—that can create the illusion that your clips originated on film as opposed to tape. The BCC Deinterlace filter can simulate telecine and reverse telecine, which is where video clips at their native rate are slowed down to 24 fps, the native frame rate for film.... »
|
|
|
| 05|04|2009 |
Watch this video from NAB on the Canon 5D Mark II, a still camera also capable of shooting 1080, 30p video. See the possibilities and limitations of this camera as well as insight on where Canon may be heading in terms of offering a true digital RAW video camera in the future.... »
|
|
|
| 04|27|2009 |
In this video tutorial Imagineer's Ross Shain shows how to use mocha for Final Cut to quickly track a graphic into a scene.... »
|
|
|
 |
 |
Access to the last 90 days of content is always free. Paid subscribers can access older stories as part of their membership.
 * Already a member? Sign in. |
 |
 |
|
|
| 03|27|2009 |
Class On DemandWatch this video below from Class On Demand to see how to output a file to a variety of different formats at the same time with a few simple clicks. See how to use the Media Encoder to render your After Effects comps as well.... »
|
|
|
| 03|12|2009 |
Harry FrankMotion designer Harry Frank demonstrates how to get around the particle orientation limitation in Trapcode Particular wherein particles always face the camera. Using camera trickery and expression magic you can see the particles at an angle.... »
|
|
|
| 03|03|2009 |
Matt ArmstrongPost production guru Philip Hodgetts demonstrates his new tool for Final Cut Pro, Sync N Link, for synchronizing sound and picture shot dual-system. Sync N Link does what Avid's Auto-Sync function does, plus more. Footage and sound files with the same timecode can be automatically synched with a few clicks, either before or after the edit.... »
|
|
|
| 02|26|2009 |
Harry FrankMotion designer Harry Frank shows how to breath new life or make a retro look with standard After Effects Lens Flare by using Shape Layers and Trapcode Shine.... »
|
|
|
| 01|21|2009 |
Harry FrankThis After Effects tutorial uses Radio Waves plug-in to show the usefulness of the powerful rgbToHsl and hslToRgb expression terms to control color properties.... »
|
|
|
| 01|21|2009 |
Harry FrankMotion Designer Harry Frank created an animated glassy Earth as a part of the design using 3D Invigorator. Here is how to produce that same Earth in ProAnimator.... »
|
|
|
| 01|08|2009 |
Watch this video to see how to use Telestream's Episode presets within Apple Compressor to encode so you don’t have to export a QuickTime out of Final Cut before encoding. Lesson includes installing the Episode plug-in for Compressor and tips on getting the best video quality.... »
|
|
|
| 01|08|2009 |
eyeon Software recently released the Generation workflow management software that gives teams of artists a visual, collaborative environment to managing postproduction pipelines. Check out the three exclusive videos to see how Generation works.... »
|
|
|
| 12|04|2008 |
Motion designer Harry Frank shows how to use layer emitters and turbulence fields in Trapcode Particular to create a smoky/plasma design effect.... »
|
|
|
| 11|24|2008 |
Jem SchofieldIn this video tutorial motion designer Jem Schofield shows how to use the Noise Industries' FxFactory Random Crop Filter plug-in, change the various parameters to control the cropping and add layers to give your video a unique look.... »
|
|
|
| 11|19|2008 |
Harry FrankMotion designer Harry Frank shows how to use expressions and external documents to simply create all your lower thirds and interstitials in After Effects.... »
|
|
|
| 11|07|2008 |
Harry FrankIn this tutorial, you'll learn how to use Track Mattes in Adobe After Effects to add texture to your text and a neat trick on how to trigger a camera wobble.... »
|
|
|
|
|
 |
.gif)
