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| 09|01|2005 |
By David FarinellaIt’s one thing to get up to speed on a typical feature film, but production sound mixer Drew Kunin had to ramp up in a hurry working on the Robert Altman -directed musical Prairie Home Companion, a project... »
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| 08|01|2005 |
By Linda RomanelloWant to sell your clips and tracks to stock houses? These tips from insiders will help you take your project shots to a much wider audience. ... »
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| 08|01|2005 |
By Iain Blair"There are a lot of firsts on this film," says producer Karl Richards of the suspenseful and unconventional love story set in contemporary New England and starring Alicia Silverstone, Sienna Guillory... »
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| 08|01|2005 |
By Dan DaleyMaitland is doing more than recording the film’s sound— he’s making history: this is the first major Hollywood production to rely on software to capture its location audio. The fact that it’s a musical... »
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| 08|01|2005 |
By George Jarrett"We pulled off a full 2K DI for $110K, about $50K less than the lowest bid that we received." — Kyle Jackson The first film Jackson edited, Cats and Mice , was shot on Panasonic’s VariCam. The... »
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| 07|01|2005 |
By Dan DaleyIf you’re seeking the conventional wisdom governing sound design for commercials, you’re going to be disappointed.... »
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| 07|01|2005 |
How do you squeeze 1080p video through a FireWire pipe? Editor Dave Winter and his Venice, CA, creative editorial and design house WinterWorks figured it out when they finished over an hour of basketball... »
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| 07|01|2005 |
By Barbara RobertsonWho let the animals out of the zoo? They did it themselves in PDI/DreamWorks’ wacky feature animation Madagascar.... »
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| 07|01|2005 |
By Debra KaufmanTroublemaker Studios is as far from a typical Hollywood VFX house as it is from Hollywood itself.... »
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| 07|01|2005 |
By Iain BlairCutting-edge automobile technology demands a sportily engineered campaign, so when Japanese agency Hakuhoodo Photo Creative set out to create a 60-second spot for the new Toyota Prius, they went to Anonymous... »
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| 07|01|2005 |
— Michelle PasterThanks to the momentum generated by sales of nearly 3 million DVD box sets and repeated cable airings, Fox’s Family Guy is back by popular demand after its 2002 cancellation in season three. ... »
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| 06|01|2005 |
By Iain Blair"Documentary filmmakers get no respect," laments Billy Baldwin, president of New York’s PostWorks. Baldwin knows documentaries. He’s worked on lauded nonfiction film projects including Oscar... »
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| 06|01|2005 |
By Bob FisherA camera mounted on a gyro-stabilized Lev head is rigged to an Ultimate Arm mounted on a Mercedes SL55 tracking for the high-speed Batmobile chase. Using a remote control, an operator can whip the crane around... »
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| 06|01|2005 |
By Rodney Charters, ASC, CSCThe season’s last episode takes place at night in downtown Los Angeles, with a big sequence between Kiefer and the bad guys. Director/Co-Executive Producer Jon Cassar and I were reminded of Collateral... »
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| 06|01|2005 |
By Debra KaufmanFrom the beginning, says Charters, the show resembled documentary filmmaking more than the typical TV episodic. Co-executive producer Stephen Hopkins directed 12 episodes that first season and stamped his... »
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