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| 12|01|2007 |
Justin LassenI’ve been doing "glitch" editing since before it had a name, genre or mainstream acceptance. People always ask me how this is done, and how they can get started doing it themselves, so I decided to create a step-by-step tutorial. I’ll focus here on the creation of the tracks for our "Rolls-Royce Phantom" episode.... »
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| 11|01|2007 |
In this tutorial, I want to show you what can be done in AU3’s MIDI Host. There is much more that this MIDI host/sequencer can do, and as usual, this just scratches the surface of its full power.... »
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| 11|01|2007 |
David LeathersSoundtrack Pro 2 is a unique audio post program. It lets you create intelligent compositions and place sound effects to picture with Apple Loops and MIDI. ... »
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| 10|22|2007 |
Sound designer Marshall Grupp steps up to answer Five Questions. ... »
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| 10|17|2007 |
Matt Armstrong“Fix It in Post” is an old adage used on production (usually one meant to be reassuring when used by producers, an inside joke when the crew says it). In most cases its better, and cheaper, to get it right on set than to try to do it in post. But on Road to Empire, there was no other option. ... »
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| 10|11|2007 |
By Dan Daley“Dense” is a word that's often used to characterize a film’s sound. But when it’s coupled with certain other adjectives, such as “piercing,” “jangling” and “shrill,” that indicates something more unusual. That may be an apt description for the aural setting of American Gangster, director Ridley Scott’s vivid retelling of the tale of Frank Lucas, the African-American hood who challenged the Mafia for dominance in the heroin trade in New York in the 1970s. ... »
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| 09|25|2007 |
By Michael GrotticelliWith more than 15 years of experience, Paul Furedi is a veteran sound designer/mixer who joined PostWorks in August, after many years working for Sony Music Studios, where he mixed commercials and high-definition TV specials and series, as well as dozens of DVDs for Sony Music artists and promotional projects. ... »
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| 09|13|2007 |
By Dan DaleyDirector Julie Taymor’s Across The Universe could be the first western film to follow the Bollywood formula – it’s a drama/musical/warflick/love story that compresses the sixties — anti-war protests, civil rights, the Detroit riots, Vietnam and psychedelia — into two hours surrounded (literally) by a 5.1 soundtrack of Beatles songs, including the title track.... »
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| 09|08|2007 |
Press ReleaseAdobe Systems Incorporated today announced Adobe Audition 3 software, a major new release of the all-in-one solution for professional audio production. ... »
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| 08|29|2007 |
By Brian DickmanThis tutorial demos the music search engine Express Track that has SmartSound customization built in. Express Track features a variety of options to search music and with SmartSound technology users can specify the exact length of the track and SmartSound automatically edits the track to that duration.... »
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| 08|22|2007 |
Press ReleasePostWorks, New York (www.pwny.com)
is proud to announce the addition of Rocky Tortorella as
Director of Sound Services for PostWorks' Soho location.
... »
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| 08|17|2007 |
Press ReleasePostWorks, New York's renowned
post-production boutique in midtown Manhattan is very happy to
welcome veteran sound designer and mixer Paul Furedi to its
full-time staff.
... »
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| 08|01|2007 |
Justin LassenRestoring audio depends on the actual waveform used, how it was originally created and what you plan on doing with it afterwards. This basic tutorial only scratches the surface; other subtle nuances of this art require more in-depth discussion and experimentation. ... »
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| 03|27|2007 |
Learn the basics of audio repair using Apple's Final Cut Pro including raising soft recordings without distortion. ... »
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| 02|01|2007 |
The new Edirol R-4 Pro portable audio recorder lets us record four channels of high-quality, 16-bit 48kHz digital audio through individual timecode in and out terminals on the recorder and a camera. ... »
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