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| 09|20|2006 |
By Dan DaleyAfter more than three decades in the film sound business, many people would be looking at retirement homes, not major professional epiphanies. But multi-Oscar winning supervising sound editor and sound designer Lon Bender took a side road onto the Great White Way that changed the way Broadway looks at sound. ... »
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| 09|01|2006 |
By Jeff GlixmanWith surround sound becoming an integral tool in professional film, television and music recording, it’s imperative that you first determine the scope of the project at hand. Before doing anything else, assess the technical aspects in relation to the end user’s needs... »
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| 09|01|2006 |
By Linda RomanelloWhile the eastern Pennsylvania city of Bethlehem is known for its colonial and industrial history, it’s not often identified as a mecca for arts and entertainment. Yet, as the city experiences a cultural growth, one of its newest resident businesses, StarCity Recording, is enjoying a growth of its own.... »
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| 08|02|2006 |
By Bryant FrazerWe asked Mike Zarin of Groove Addicts just what's going on in the music-for-trailers business these days.... »
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| 07|25|2006 |
By David John FarinellaAfter ten years or so of watching their audio post production brethren work with an ever improving set of tools, production sound mixers are bringing digital, non-linear recorders on to sets across the globe. Of course file-based workflow is not without new and painful headaches.... »
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| 07|10|2006 |
By Dan DaleyNobody's getting more from their money than the makers of films in the burgeoning Christian cinema segment. Audio post specialist Nick Palladino tells us how The Second Chance broke new ground in budget audio.... »
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| 06|05|2006 |
By Dan DaleyMathew Waters has declared himself something of a maverick by using Steinberg’s Nuendo audio workstation software in a town where Digidesign’s Pro Tools has come to rule the roost. It’s a decision that allows him flexibility on films like director Victor Salva’s Peaceful Warrior... »
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| 03|31|2006 |
By Dan DaleyYou would have to be of a certain age to understand the full subliminal
effect of the sound design for The Notorious Bettie
Page. ... »
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| 03|01|2006 |
By Dan DaleyThe rawness of vaudeville-joke doc The Aristocrats extended to the production audio, making the project a candidate for major sound surgery.... »
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| 02|01|2006 |
By Dan DaleyThere's nothing unusual about the audio workflow between sound guys Eric Lalicata and Ken Skoglund—except that they're working on two different continents.... »
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| 01|01|2006 |
Soundtrack Pro is the powerful audio application within Final Cut Studio that is designed specifically for audio post and sound design. You can use it to create music soundtracks using MIDI-controlled software instruments and Apple Loops, much like you do in Logic Pro and GarageBand.... »
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| 11|01|2005 |
By Dan DaleyAdult Swim, Cartoon Network’s nocturnal block of animation, has achieved cult status... »
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| 10|01|2005 |
Step 1: Record dialog audio properly For best results in post, average at -12dB on the camera. Be sure that peaks are not more than -3dB. If your audio is too quiet, you’ll lose resolution/audio quality. If... »
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| 10|01|2005 |
By Jim FeeleyAn out-of-sight, out-of-mind approach to location audio can work for producers who have an experienced mixer on board. But current budget realities and new audio technology mean producers who just worry about visuals are missing half the story.... »
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| 09|01|2005 |
By Linda RomanelloWHAT’S THEIR GIG? Unless you’re a wizard, it’s hard to be in two places at once. That is, unless you have a business with studios located on both sides of the country. Bob Giammarco, partner of the New... »
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