 |
 |
| 07|16|2007 |
Press ReleaseMedia 100, a leading provider of advanced editing systems for the corporate, broadcast, post-production, and multi-media industries, today announced version 12.0; adding support for progressive frame formats and deeper compositing and effects integration with the Boris FX product line.... »
|
|
|
| 06|26|2007 |
Matt ArmstrongMichael Buday, founder of SyncVue, stopped by the AlphaDogs Editors' Lounge to demo his company's remote collaboration tool. Watch the video to see how you could leverage SyncVue. ... »
|
|
|
| 06|21|2007 |
In this tutorial, creator of Magic Bullet and veteran visual effects artist Stu Maschwitz demonstrates the tools within the finishing app Magic Bullet Looks.... »
|
|
|
| 06|07|2007 |
By Debra KaufmanWhen Technicolor Creative Services announced it would open a Digital Intermediate facility on the Sony lot, the idea was that the proximity of DI to sound mixing and other studio services would create massive efficiencies. That was just proven true, with the 4K DI of Spider-Man 3... »
|
|
|
| 05|30|2007 |
Matt ArmstrongAt NAB Avid introduced Media Composer v2.7 with ScriptSync, a script-based editing tool with phonetic speech recognition technology to automatically sync text with media, eliminating the need to manually insert sync points into the media.... »
|
|
|
| 05|30|2007 |
Matt ArmstrongEditor Robert Bramwell is not using hyperbole when he says that a large majority of editors have been stuck in an archaic, inefficient approach to their projects that cost time, money and possibly their reputations... »
|
|
|
| 05|16|2007 |
Matt ArmstrongSee the initial thoughts on Apple Color from editors, colorists and other pros, as well as a dedicated Avid user on what FCP2, and specifically the addition of Color, means to him. ... »
|
|
|
| 05|10|2007 |
By Bryant FrazerThe post-production gurus behind Next say it's the first studio feature to be edited entirely in HD using Avid's DNxHD codec — and they figure it represents the latest forward leap in post workflow. ... »
|
|
|
| 05|10|2007 |
By Bryant FrazerAfter 15 years in the business of cutting episodic TV, editor Farrel Levy has figured out a thing or two about getting inside someone's head. That's her job — making sure an audience understands not just the narrative, but the psychology behind the story. ... »
|
|
|
| 05|10|2007 |
By Bryant FrazerChris Keighly, who joined Post Logic Studios last year as a telecine assistant after cutting his post teeth at Technicolor Creative Services, has been named technical supervisor of Post Logic's New York facility. The job gives him oversight over all projects completed at Post Logic in New York — mainly commercial spots that take advantage of color-correction and conform for HD — and charges him with make sure the post and DI pipelines are up to snuff.... »
|
|
|
| 04|30|2007 |
Matt ArmstrongAt NAB, Sony introduced a new generation of professional master monitoring technology. The first model in the series will is the BVM-L230 LCD video reference monitor.... »
|
|
|
| 04|26|2007 |
By Bryant Frazer“I’ve heard stories,” said Jeff Roth, VP of Post at Focus Features, “about DPs sitting in a little black tent getting the look of the movie instead of actually shooting the movie.”... »
|
|
|
| 04|17|2007 |
Matt ArmstrongGet a first look at Apple ProRes 4:2:2 live from the NAB show floor... »
|
|
|
| 04|17|2007 |
Matt ArmstrongGet a first look at Apple Motion 3 live from the NAB show floor.
... »
|
|
|
| 04|17|2007 |
Matt ArmstrongGet a first look at Apple Color live from the NAB show floor.... »
|
|
|
|
|
 |
