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04|13|2008

What Editors Want at NAB and Beyond   [Studio Daily]

Matt Armstrong

At the AlphaDogs Editors Lounge a panel of editors discuss what they are going to be looking for at NAB, what Avid's and Apple's absence means, their search for a CRT replacement, Apple Color vs Avid Symphony and the state of storage and how it is and is not meeting the needs of today. ...  »
04|10|2008

Media 100 to Debut Version 12.5   [Studio Daily]

Press Release

Media 100, a leading provider of advanced editing systems for the corporate, broadcast, postproduction, and new media industries, today announced that Media 100 will unveil version 12.5 at the NAB 2008 ...  »
04|08|2008

Apple Ships Final Cut Server   [Studio Daily]

Press Release

Apple today announced that Final Cut Server, a powerful software solution for media asset management and workflow automation, is now shipping. ...  »
04|04|2008

Avid - Red Workflow   [Studio Daily]

Matt Armstrong

Avid's Bob Russo shows how to get the Red files into the Avid while preserving the metadata....  »
04|04|2008

What You Can Do with Red Alert   [Studio Daily]

Matt Armstrong

Brian Hutchings of Digital Service Station demonstrated what Red Alert can, and cannot, do, including making QuickTime reference movies. ...  »
04|04|2008

Maintaining Red Metadata to Avid with XMiL Sequencer   [Studio Daily]

Matt Armstrong

Want to edit a Red project on Avid and maintain the original metadata? XMiL founder Rainer Standke explains how the XMiL Sequencer can do just that. ...  »
04|04|2008

Final Cut Pro - Red Workflow   [Studio Daily]

Matt Armstrong

At the AlphaDogs Editors' Lounge Red's "Leader of the Rebellion" Ted Schilowitz demonstrated the Red Camera workflow with Apple Final Cut Pro. ...  »
04|01|2008

Edit RED Footage in Avid Media Composer   [Studio Monthly]

I’ll show you how to make QuickTimes through RED ALERT!, RED’s image-processing utility that lets you load REDCODE RAW footage, adjust image exposure and color correction settings, and render out to 4K or 2K resolution DPX and TIFF file formats....  »
04|01|2008

NewTek VT[5]   [Studio Monthly]

Bill Mills

The heart of NewTek’s VT[5]— a truly evolved "studio in a box" that traces its lineage back to 1991 and the release of the original Video Toaster— is the VTPro card....  »
04|01|2008

Spotlight on NAB: Edirol V-8 Doubles Inputs   [Studio Monthly]

Roland Systems Group will show several new products at NAB, including its new EDIROL V-8 Eight Channel Video Mixer, introduced in March and aimed at VJs, schools, houses of worship and corporate AV users. ...  »
04|01|2008

Spotlight on NAB: From Shared Storage to Shared Editing   [Studio Monthly]

Maximum Throughput, best known for its flagship Sledgehammer storage system, is getting into the server-based and Web-based editing space. At NAB the company will introduce MAXedit Server Edition and MAXedit...  »
04|01|2008

Spotlight on NAB: NUKE 5 Released   [Studio Monthly]

Developers at The Foundry have been busy since acquiring the popular plug-in Nuke last year. The latest version, Nuke 5, features a new user interface, Python scripting, and expanded LUT support for file I/O....  »
03|20|2008

Smooth Shaky Footage with ProDad Mercalli   [Studio Daily]

Watch this tutorial to see how to quickly smooth out shaky camera footage with ProDad's Mercalli plug-in. ...  »
03|01|2008

HOT HOUSE: WDDG’s Inspired Gameplay   [Studio Monthly]

Michael Koegel

On a foreboding block at the mouth of the Holland Tunnel in Manhattan lies World Domination Design Group. Two signs on the doors to their headquarters read: "Create" and "Destroy." Upon first impression, however, the brother and sister team that run WDDG don’t seem all that bent on conquering the world. Instead, they offer up a tray of biscotti....  »
03|01|2008

Three Ways to Transfer Sony XDCAM Content to Final Cut Pro   [Studio Monthly]

There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format....  »

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