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| 08|16|2007 |
Mike GrotticelliFor Transcendent Man, Therapy Studios managed hundreds of hours of tapeless P2 footage, archiving it to DLT tape, and edited and finished the film with aan Avid Media Composer and Quantel iQ. ... »
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| 07|30|2007 |
Press ReleaseDigital Vision, purveyors of motion picture quality via systems for film and video grading/finishing and image enhancement, will launch two new products at IBC. A new software-based restoration tool will be introduced into the company’s line of image enhancement products (joining the DVNR and DVO), and a new tapeless grading/finishing system designed specifically for broadcast television and multi-format requirements will round out the company’s Nucoda line. Features, pricing, and product names will all be unveiled at the show, and both products will be demonstrated on Digital Vision’s stand, 7.731. ... »
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| 07|19|2007 |
Matt ArmstrongAt CineGear a group of esteemed pros joined a panel discussion to talk about the 4K workflow on a couple of short films using the DALSA Origin Camera and the exerience all the way through editing and color correction. ... »
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| 07|17|2007 |
Press ReleaseNew York’s Version2 welcomes into the fold Mark Thomas of affinity film and previously of AHT Productions. ... »
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| 07|16|2007 |
Press ReleaseMedia 100, a leading provider of advanced editing systems for the corporate, broadcast, post-production, and multi-media industries, today announced version 12.0; adding support for progressive frame formats and deeper compositing and effects integration with the Boris FX product line.... »
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| 06|26|2007 |
Matt ArmstrongMichael Buday, founder of SyncVue, stopped by the AlphaDogs Editors' Lounge to demo his company's remote collaboration tool. Watch the video to see how you could leverage SyncVue. ... »
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| 06|21|2007 |
In this tutorial, creator of Magic Bullet and veteran visual effects artist Stu Maschwitz demonstrates the tools within the finishing app Magic Bullet Looks.... »
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| 06|07|2007 |
By Debra KaufmanWhen Technicolor Creative Services announced it would open a Digital Intermediate facility on the Sony lot, the idea was that the proximity of DI to sound mixing and other studio services would create massive efficiencies. That was just proven true, with the 4K DI of Spider-Man 3... »
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| 05|30|2007 |
Matt ArmstrongAt NAB Avid introduced Media Composer v2.7 with ScriptSync, a script-based editing tool with phonetic speech recognition technology to automatically sync text with media, eliminating the need to manually insert sync points into the media.... »
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| 05|30|2007 |
Matt ArmstrongEditor Robert Bramwell is not using hyperbole when he says that a large majority of editors have been stuck in an archaic, inefficient approach to their projects that cost time, money and possibly their reputations... »
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| 05|16|2007 |
Matt ArmstrongSee the initial thoughts on Apple Color from editors, colorists and other pros, as well as a dedicated Avid user on what FCP2, and specifically the addition of Color, means to him. ... »
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| 05|10|2007 |
By Bryant FrazerThe post-production gurus behind Next say it's the first studio feature to be edited entirely in HD using Avid's DNxHD codec — and they figure it represents the latest forward leap in post workflow. ... »
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| 05|10|2007 |
By Bryant FrazerAfter 15 years in the business of cutting episodic TV, editor Farrel Levy has figured out a thing or two about getting inside someone's head. That's her job — making sure an audience understands not just the narrative, but the psychology behind the story. ... »
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| 05|10|2007 |
By Bryant FrazerChris Keighly, who joined Post Logic Studios last year as a telecine assistant after cutting his post teeth at Technicolor Creative Services, has been named technical supervisor of Post Logic's New York facility. The job gives him oversight over all projects completed at Post Logic in New York — mainly commercial spots that take advantage of color-correction and conform for HD — and charges him with make sure the post and DI pipelines are up to snuff.... »
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| 04|30|2007 |
Matt ArmstrongAt NAB, Sony introduced a new generation of professional master monitoring technology. The first model in the series will is the BVM-L230 LCD video reference monitor.... »
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