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| 04|13|2006 |
By Bryant Frazer"There's nothing worse in the world than watching a short film that feels like it's too long."... »
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| 04|01|2006 |
By Matt ArmstrongA one man documentary shoot on post-war Kosovo takes many twists over seven years before finding, and then redefining itself. ... »
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| 04|01|2006 |
By Erik HolsingerTo create different lighting "looks," I like to adjust images in Photoshop CS2, and then bring everything together in Apple’s Keynote 3 presentation program. The great thing about Keynote is that it keeps alpha channels intact... »
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| 03|31|2006 |
By Bryant FrazerHard Candy is one of the first movies to credit its digital colorist — Jean-Clement Soret of London’s Moving Picture Company — in the opening titles instead of the end-credit scroll.... »
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| 03|21|2006 |
By Peter PlantecIn this DVD from Total Training, Jacob Rosenberg, post supervisor on Dust to Glory, shows how to work in different file formats, examines new tools, interface revisions and workflows for Premiere Pro 2, and gives a mountain of tips and tuttorials along the way. ... »
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| 03|20|2006 |
By Matt ArmstrongWhen Rose, the terminally ill female assassin (Helen Mirren) in Shadowboxer plans out one last final hit, she enlists the help of her lover/stepson (Cuba Gooding Jr.). Making his directorial debut, Lee Daniels turned to Philadelphia-based Shooters Post & Transfer to handle the visual effects, compositing, title sequence and digital intermediate process. ... »
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| 03|03|2006 |
By Matt ArmstrongFresh off being awarded the ACE Eddie for Best Edited Dramatic Feature, Winborne is enjoying life as “the” hot editor in Hollywood, though at the same time bracing himself nervously for Oscar night. ... »
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| 03|01|2006 |
By Bryant FrazerGrass Valley rattled its Bones at its pre-NAB press event in Palm Springs this week, introducing version 2.5, with optional color-correction and image-stabilization modules. ... »
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| 03|01|2006 |
However much you know — or think you know — about HD production, there’s
always more to be learned. Just because you’re an ace HDCAM operator
doesn’t mean you’ll instinctively be able to coax gorgeous images out
of the inexpensive, option-rich handhelds that have exploded onto the
market... »
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| 03|01|2006 |
By Michael GrotticelliArt Donahue, a veteran field producer and photographer at WCVB-TV, the ABC affiliate in Boston, is well known throughout the New England production community for his 18 years of documentary-style TV reporting... »
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| 03|01|2006 |
By Michael ForrestFor this project, we used Avid’s DS Nitris finishing system. But,
you’ll actually be able to perform the same corrections using Xpress
Pro, Adrenaline or Symphony, as all share similar color-matching tools.... »
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| 03|01|2006 |
Eric Hanson CEO of Spy Post WHAT WE DID Transfer HD to data for use during the creative editorial process on an indie feature, Valley of the Heart’s Delight, without going to tape How We Did It "The... »
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| 03|01|2006 |
By Bryant FrazerZene Baker started building indie cred early in his career, when he hooked up with the young writer/director David Gordon Green on his debut feature, George Washington.... »
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| 03|01|2006 |
By Bryant FrazerKwesi Collisson is one of those guys who seems to do everything -- he's a producer who understands money, but also a crack editor and compositor who likes to get hands-on with his projects.... »
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| 03|01|2006 |
By Bryant FrazerRobert Hoffman moved up in the filmmaking ranks the old-fashioned way — he got lucky. Years of working as a post supervisor and assistant editor paid off when he was post-supervising Ghost World for director Terry Zwigoff.... »
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