06|05|2008

Avid Shows New Thinking at Editors Lounge   [Studio Daily]

Matt Armstrong

Avid reps jumped into the fire at the latest AlphaDogs Editors' Lounge to show their latest hardware and software versions. In addition to showing the larger performance improvements and the ability to mix formats in the timeline, they showed off smaller changes that are sure to make editors' lives easier. And there's even some hints about Avid's future plans for working with RED footage. ...  »
06|01|2008

HOT HOUSE: Resident Adviser   [Studio Monthly]

Michael Koegel

Resident’s clients are an impressive group. Kanye West, Jay-Z, Matchbox 20, and director Hype Williams have all used Resident on their music videos and for the "video walls" that play behind their concert performances....  »
06|01|2008

Streamline Your QuickTime-Based Workflow with MetaCheater and Avid Media Composer   [Studio Monthly]

Michael Phillips

MetaCheater lets you select one or more QuickTime movies, and through a variety of settings, you can work with any number of workflows, depending on the metadata extracted. It’s a great way, for example, to work with QuickTime files associated with a RED Camera workflow, as I explained in my previous tutorial in the April issue....  »
06|01|2008

Deliver Mixed Media Content to Signage with Grass Valley MediaEdge   [Studio Monthly]

Ray Brooksby

Grass Valley recently updated the MediaEdge video distribution system to support delivery of mixed media content. Video, still graphics, scrolling text, animated Flash, and HTML can now be combined on a single display. I’ll show you how you can use MediaEdge to publish digital signage using the new Display Content Manager, or DCM....  »
06|01|2008

Create a Network ID/Glass Bug in Adobe Photoshop CS3 for Final Cut Pro 6 Projects   [Studio Monthly]

This is just one easy way to create a transparent version of your company’s signature or logo for importing into a Final Cut Pro project. If you plan to use square pixel elements in your Glass Bug, simply drag or copy those elements into a non-square Photoshop document to customize them for use in your project....  »
06|01|2008

Wacom Cintiq 12WX   [Studio Monthly]

Mike de la Flor

In 2001 Wacom revolutionized digital artistry with the introduction of the first Cintiq interactive pen displays. Though pricey the Cintiqs were popular because they allowed artists to draw directly on screen....  »
06|01|2008

At the Touch of a Finger   [Studio Monthly]

FOR-A released the MPB-100VW Video Writer, which, first shown at NAB 2008, will also be featured at the company’s booth at InfoComm 2008 (Booth C2316). ...  »
06|01|2008

A More Efficient SATA RAID Connection   [Studio Monthly]

Sonnet Technologies announced the Fusion RAID Expander, which can connect up to seven Sonnet Fusion SATA RAID desktop or rack-mount storage systems to a single computer for faster performance....  »
06|01|2008

MOTU’s FireWire I/O Box Now in Sync with Final Cut Pro   [Studio Monthly]

MOTU has just launched the V4HD, the next generation of the company’s V3HD FireWire video I/O and converter box for Mac and Windows. The V4HD provides the same features as the V3HD, plus some notable new ones....  »
05|29|2008

Da Vinci Systems, Gamma & Density Collaboration Ensures Consistency Between On-Set Color Correction and Post-Production   [Studio Daily]

Press Release

Da Vinci Systems today announced its collaboration with 3cP (Cinematographer's Color Correction Process) developer Gamma & Density to ensure that 3cP is fully interoperable with the company's Resolve and 2K Plus systems, giving cinematographers the power for on-set color correction and calibration....  »
05|27|2008

Testing the RED Post Workflow   [Studio Daily]

Matt Armstrong

With the RED phenomenon, the DR Group has been testing the workflow to come up with the best, most efficient solutions for RED. We spoke with Lowell Kay, founder of the DR Group, about his company's move to handle RED workflows and what their tests have found so far. ...  »
05|19|2008

Scratch Cine Fills Gap in RED Workflow   [Studio Daily]

Matt Armstrong

Assimilate, in conjunction with BOXX Technologies, released an all-in-one computer specifically designed to conform high resolution footage from the RED Digital Camera. In this video, Assimilate's Lucas Wilson explains what ScratchCine is, and is not, and Fraoncois Wolf of BOXX talks about acheiving realitime playback and conform of these immense files. ...  »
05|13|2008

Automatic Duck Bridges Gap Between Toon Boom StoryBoard Pro and Final Cut Pro   [Studio Daily]

Press Release

Emmy award-winning Toon Boom Animation Inc. today announced its partnership with Automatic Duck to bring the editing process to the next level. Toon Boom Storyboard Pro exports animatics in the AAF file format and Pro Import FCP takes them straight into Final Cut Pro, with automated relink of video files and unlimited audio tracks. ...  »
05|12|2008

Stereoscope Opens in Burbank   [Studio Daily]

Press Release

Responding to Hollywood's growing demand for 3D production and post-production, Stereoscope has opened its doors to serve the creative community. Equipped with the new version of Quantel's Pablo 4K color grading system, which can handle real-time stereoscopic post-production, the studio has been designed from the ground up to provide a full range of stereo3D digital content services, from development through distribution....  »
05|07|2008

IRIDAS Brings New Stereo Tools to SpeedGrade   [Studio Daily]

Press Release

Introduced as an optional module for SpeedGrade in 2007, IRIDAS will now offer its DualStream stereo technology standard with the 2008 releases of SpeedGrade HD, SpeedGrade XR, and SpeedGrade DI. SpeedGrade with DualStream provides full stereoscopic functionality allowing colorists to apply inter-ocular adjustments, primary and secondaries grading, reframing, mask animation, and more - all in a real-time stereo viewing environment. ...  »

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