04|14|2008

Avid Releases Next-Generation Editing Systems    [Studio Daily]

Press Release

Avid Technology, Inc. (Nasdaq: AVID) today unveiled a new family of professional digital video editing systems that offer greater speed, responsiveness, reliability and price-performance – delivering an exceptional HD editing experience to media professionals. The new lineup, which includes next-generation versions of Avid® Media Composer® (v3.0), NewsCutter® (v7.0), and Symphony™ (v3.0) software, as well as new hardware configurations, Mojo DX and Nitris® DX, maximizes real-time performance for customers by intelligently using all available computing bandwidth to evenly disperse the processing of video and effects across the entire system. The result is an extremely fast and responsive HD editing experience that provides greater creative freedom and flexibility to end-users....  »
04|14|2008

Adobe Starts Initiative to Develop Open Format for Digital Cinema Files   [Studio Daily]

Press Release

dobe Systems Incorporated (Nasdaq:ADBE) today announced that it plans to lead an initiative to define an industry-wide open file format for digital cinema files to streamline workflows and help ensure easy archiving and exchange. Adobe intends to leverage its successful Digital Negative Specification (DNG) file format as a foundation, and Adobe plans to work with a broad coalition of leading camera manufacturers, including Panavision, Silicon Imaging, Dalsa, Weisscam, and ARRI—along with software vendors, including Iridas and The Foundry, and codec provider CineForm—to define the requirements for an open, publicly documented file format that it plans to call CinemaDNG. ...  »
04|13|2008

Panasonic Unveils BT-LH1760 17” LCD HD Production Monitor    [Studio Daily]

Matt Armstrong

Here at NAB, Panasonic introduces the BT-LH1760 17” LCD production monitor that utilizes a 120 Hz double speed drive and an advanced IPS panel to provide unsurpassed performance quality in a high definition, professional LCD display. Equipped with a new vectorscope function as well as built-in waveform monitor, the new LH1760 delivers value added features with exceptional color reproduction, motion handling, and latency characteristics formerly found only in CRT monitors. ...  »
04|13|2008

What Editors Want at NAB and Beyond   [Studio Daily]

Matt Armstrong

At the AlphaDogs Editors Lounge a panel of editors discuss what they are going to be looking for at NAB, what Avid's and Apple's absence means, their search for a CRT replacement, Apple Color vs Avid Symphony and the state of storage and how it is and is not meeting the needs of today. ...  »
04|13|2008

S.two Delivers End-to-End 4K   [Studio Daily]

Press Release

S.two Corporation (NAB Booth SL9208 S. Hall Lower Level) has announced the introduction of i.DOCK4™ (4K data and HD RGB offline production ingest dock) and A.DOCK4™ (4K data and HD RGB archive dock) to compliment the DFR 4K™ (4K Digital Field Recorder) announced last year and appearing at NAB 2008 for the first time. DALSA Digital Cinema, a leader in 4K digital motion picture capture is first to order the complete tool set....  »
04|10|2008

Media 100 to Debut Version 12.5   [Studio Daily]

Press Release

Media 100, a leading provider of advanced editing systems for the corporate, broadcast, postproduction, and new media industries, today announced that Media 100 will unveil version 12.5 at the NAB 2008 ...  »
04|08|2008

Iridas to Introduce SpeedGrade XR   [Studio Daily]

Matt Armstrong

IRIDAS, the industry leader in RAW playback technologies, has announced the release of SpeedGrade XR and will introduce the new application at NAB April 14 - 17. Designed as a companion product for RAW camera workflows, SpeedGrade XR features IRIDAS' new RealTime RAW 2.0 technology...  »
04|08|2008

Assimilate Launches Scratch Cine at NAB   [Studio Daily]

Press Release

ASSIMILATE, developer and provider of the SCRATCH Digital Process Solution™, today introduced SCRATCH CINE, the virtual telecine for projects shot on RED Digital Cinema cameras. The SCRATCH CINE software provides filmmakers and post production facilities an affordable entry into a native RED r3d file workflow. D...  »
04|08|2008

Apple Ships Final Cut Server   [Studio Daily]

Press Release

Apple today announced that Final Cut Server, a powerful software solution for media asset management and workflow automation, is now shipping. ...  »
04|08|2008

Cinnafilm Brings Real-Time Film Look to HD Video   [HD Studio]

By Michael Grotticelli

Cinnafilm will unveil its HD1 real-time film-look visual-effects system at NAB, designed to transform HD digital video images to the classic look of film....  »
04|04|2008

Avid - Red Workflow   [Studio Daily]

Matt Armstrong

Avid's Bob Russo shows how to get the Red files into the Avid while preserving the metadata....  »
04|04|2008

What You Can Do with Red Alert   [Studio Daily]

Matt Armstrong

Brian Hutchings of Digital Service Station demonstrated what Red Alert can, and cannot, do, including making QuickTime reference movies. ...  »
04|04|2008

Maintaining Red Metadata to Avid with XMiL Sequencer   [Studio Daily]

Matt Armstrong

Want to edit a Red project on Avid and maintain the original metadata? XMiL founder Rainer Standke explains how the XMiL Sequencer can do just that. ...  »
04|04|2008

Final Cut Pro - Red Workflow   [Studio Daily]

Matt Armstrong

At the AlphaDogs Editors' Lounge Red's "Leader of the Rebellion" Ted Schilowitz demonstrated the Red Camera workflow with Apple Final Cut Pro. ...  »
04|04|2008

Assimilate Scratch - Red Workflow   [Studio Daily]

Matt Armstrong

Currently the only conform/DI tool to support Red files natively, watch Assimilate Scratch in action. ...  »

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