04|01|2008

Spotlight on NAB: NUKE 5 Released   [Studio Monthly]

Developers at The Foundry have been busy since acquiring the popular plug-in Nuke last year. The latest version, Nuke 5, features a new user interface, Python scripting, and expanded LUT support for file I/O....  »
03|27|2008

Posting Everybody Hates Chris on the Mac   [Film & Video]

By Debra Kaufman

“Our Final Cut workflow wasn’t just about saving money and being more efficient—which we were in a big way—but about how creative and humane a cutting room and post process can actually be in today’s environment.”...  »
03|20|2008

Smooth Shaky Footage with ProDad Mercalli   [Studio Daily]

Watch this tutorial to see how to quickly smooth out shaky camera footage with ProDad's Mercalli plug-in. ...  »
03|01|2008

HOT HOUSE: WDDG’s Inspired Gameplay   [Studio Monthly]

Michael Koegel

On a foreboding block at the mouth of the Holland Tunnel in Manhattan lies World Domination Design Group. Two signs on the doors to their headquarters read: "Create" and "Destroy." Upon first impression, however, the brother and sister team that run WDDG don’t seem all that bent on conquering the world. Instead, they offer up a tray of biscotti....  »
03|01|2008

Three Ways to Transfer Sony XDCAM Content to Final Cut Pro   [Studio Monthly]

There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format....  »
03|01|2008

Play with 3D Space in Apple Motion 3   [Studio Monthly]

Jem Schofield

Don’t be afraid to play! The parameters in Motion are there to mess with. Give them a try; you can always undo....  »
03|01|2008

HP xw8600 Eight-Core Workstation   [Studio Monthly]

Charlie White

Your high-end workstation felt so fast a year ago. It was the best of the bunch, the fastest in the world— but maybe now you’re itching for even more speed. How much difference would a new workstation...  »
03|01|2008

Light Touch   [Studio Monthly]

Wohler is announcing a new multi-channel video color monitor, the Touch-It Digital, at NAB. The unit is three rack spaces in height and installs into an industry standard 19-inch wide rack. ...  »
03|01|2008

Two New Versions of 3ds Max   [Studio Monthly]

Autodesk has announced the latest version of 3ds Max, as well as a new version of Max that brings the best of VIZ, the company’s architectural visualization software, together with a non-SDK version of the modeling and animation package....  »
03|01|2008

Create a Racket   [Studio Monthly]

Ikan has announced two major rack mount launches. The first, designed for multi-camera productions, is the RM 4-25 and the second, the Uni-Racks are intended for simple desktop mounting of rack-mountable audio/video equipment....  »
03|01|2008

Spotlight on HD: Fast Switch   [Studio Monthly]

Focus Enhancements announced a new stand-alone HD video switcher, the HX1. The switcher has active loop-through on all inputs....  »
02|21|2008

Red Digital Workflow in Progress on Indie Films   [Studio Daily]

Matt Armstrong

On the indie film 3 Days Gone there were several road bumps along the way, from the camera inexplicably shutting down on set to the r3dcode codec crashing their Final Cut system. Hear from the director, cinematographer and editor about how they dealt with all these issues....  »
02|08|2008

Creating a 3D Logo from 2D with Boris Red   [Studio Daily]

Class on Demand

This tutorial from the DVD Complete Training for Boris RED 4 by Class On Demand shows how to create a 3D logo from a 2D image in about a minute....  »
02|01|2008

Magic Bullet Frames Now Shipping   [Studio Daily]

Press Release

Red Giant Software, developer and publisher of professional digital video tools including the award-winning Magic Bullet Looks shipped Magic Bullet Frames v1.0. It is now possible to shoot low-cost video and get the expensive look of film right in Final Cut Pro, Motion, or Premiere Pro. Start with ordinary interlaced video, apply Magic Bullet Frames' plug-in in any of the supported applications to get quick and high-quality frame rate conversions with the look of true 24p film. ...  »
02|01|2008

HOT HOUSE: Spy Post Has an Eye for FX   [Studio Monthly]

Michael Koegel

According to Eric Hanson, CEO, Spy Post is "the only company North of Los Angeles and West of the Rockies and possibly West of the Mississippi that can offer high-end visual effects including Flame and CG, VFX editorial, color correction and film-to-tape transfer with a Spirit, as well as a full HD-based digital intermediate pipeline."...  »

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