01|17|2008

Posting U23D in Stereo   [Film & Video]

By Debra Kaufman

The massive number of tapes resulting from multiple 18-camera shoots of U2’s 3-hour "Vertigo" concert tour was just the beginning. The production attempted to clone the original tapes as quickly as possible. Then the edit began. And 3ality Digital Systems got into gear to solve some of stereo filmmaking's most persistent problems....  »
01|01|2008

Digital Kitchen’s Ambient Design   [Studio Monthly]

Michael Koegel

Digital Kitchen, which considers itself a non-traditional design shop, is quite literally all over the map, having produced site-specific "experiential" pieces in Hong Kong, Las Vegas and New York’s South Street Seaport....  »
01|01|2008

Integrate a 3D Model into a Video Clip with Luxology Modo and Photoshop   [Studio Monthly]

Here’s how to add an arch to a street intersection and have a passing car or two actually drive through the modeled arch. ...  »
01|01|2008

Updated Adobe Flash Media Server Gets Affordable   [Studio Monthly]

In a dramatic and welcome move, Adobe has announced that the next generation of its popular Flash Media Server will be available this month....  »
01|01|2008

QuickTiming   [Studio Monthly]

Prime Image is introducing Time Tailor, an innovative new software to automatically edit video to fit determined time constraints. ...  »
12|17|2007

Creating an Animated Title in Apple Motion   [Studio Daily]

Tom Wolsky

This tutorial from Class On Demand shows techniques for creating an animated title, including using the paint, masking and 3D camera tools. ...  »
12|01|2007

Edit More Efficiently in Media Composer with Avid ScriptSync   [Studio Monthly]

Robert Bramwell

There’s nothing else like Avid’s script-based editing software ScriptSync on the market. No more hunting through bins for alternate takes or forgetting which one you or the director or producer likes....  »
12|01|2007

REVIEW: Boris Continuum Complete 5   [Studio Monthly]

Marc Franklin

Boris FX plug-ins have been around almost as long as NLEs have. Since the very beginning, the company has put out high-quality, customizable 3D transitions for the most...  »
11|29|2007

Boris FX Release Boris Red 4.2   [Studio Daily]

Press Release

Boris FX, the leading developer of integrated effects technology for video and film, announced today the release of Boris Red 4.2. ...  »
11|28|2007

From Business Card to Extruded Logo with Boris RED 4   [Studio Daily]

Courtesy of BorisFX

If your client is asking for a 3D extruded logo animation in his video and all he has for company graphics is his business card you better dig deep into your toolbox. And you better find a copy of Boris RED 4 in it because that is what you’ll need to get this tough job done....  »
11|15|2007

Apple Releases Final Cut Express 4   [Studio Daily]

Press Release

Apple today released Final Cut Express 4, a significant upgrade to its powerful video editing software based on Apple’s award-winning Final Cut Pro 6, with a new low price of $199. Final Cut Express 4 adds support for the latest AVCHD cameras, allows mixing of standard and high definition content on a single timeline, includes the ability to import iMovie ‘08 projects, and gives users access to hundreds of sophisticated FxPlug cinematic effects and filters....  »
11|09|2007

Editors Lounge: Options to Replace the CRT   [Studio Daily]

Matt Armstrong

The disappearance of the much-loved CRT has left the post market in dire need of a monitors that can replace it and serve as a true reference tool for critcal review of detail and color. What will replace it? Watch and see. ...  »
11|08|2007

Out on Location Editing Into the Wild   [Studio Daily]

Debra Kaufman

Editor Jay Cassidy discusses working with Sean Penn, formulating the structure of the film, editing on location, the benefits and pitfalls of doing a DI before picture lock and editing techniques to reveal the mindset of character Chris McCandless for Into The Wild. ...  »
11|07|2007

iO Film Adds Colorist Keith Shaw   [Studio Daily]

Press Release

iO Film, a post-production facility specializing in digital intermediates for film and video, has added Keith Shaw, to the team as one of their lead colorists. ...  »
11|01|2007

REVIEW: Apple Motion 3   [Studio Monthly]

David Leathers

Motion 3, the latest version of Apple’s real-time motion graphics application, is packed with important new features for higher-end users, and extends the reach of the...  »

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