Editor Mark Jepsen has joined Cut - MJepsenthe staff of Cutters. An EMMY Award-winner, Jepsen most recently was an Editor/Partner at Machete Edit & Design. Prior to joining that company, he was on staff at Swell.... »
“Fix It in Post” is an old adage used on production (usually one meant to be reassuring when used by producers, an inside joke when the crew says it). In most cases its better, and cheaper, to get it right on set than to try to do it in post. But on Road to Empire, there was no other option. ... »
Red Giant Software has released
Magic Bullet Looks, its highly anticipated and revolutionary color
correction tool. Looks' powerful tools can be used on-set or in the edit
suite to subtly adjust tone, color and focus to simulate the appearance
of classic films or duplicate specific production conditions. Users can
choose from more than a hundred Look presets, all neatly organized into
10 categories, to help set the mood for anything from a wedding video to
the next Sundance original.... »
Future Media Concepts, the nation’s leading producer of education-rich conferences for content creators, announced today that it is now accepting applications for the Editors Retreat 2008, an exclusive five-day summit for selected video, TV and film editors to immerse themselves in the craft and community of professional editing.... »
With more than 20 years of hands-on post-production management experience, Gary Migdal, president/CEPO of LA Digital Post, discusses the burning issues surrounding high definition post production today. ... »
Creative editor Scott Simmons has joined Filmworkers Club, Nashville. Simmons accepted a staff post after spending the past eight years as a freelancer. As such, he compiled an impressive and eclectic list of regional and national credits that includes commercials, television programming, music videos and corporate media.... »
FilmLight’s entire DI range - scanning, colour grading and colour management technology will form the backbone of a new full-service post production house launching in Toronto this month. Alter Ego, formed by a diversely experienced team of artists and post industry pros, promises a “no compromises” approach toward post work for commercials and feature films. ... »
Editor Olivier Gajan has come aboard Rex Edit. He comes over from Jigsaw; prior to that, he was at Spot Welders. Gajan's recent work includes HP "Michel Gondry" (directed by Olivier Gondry),... »
Beast - an editorial shop with offices in New York, Santa Monica and Austin - has announced the formation of a strategic alliance with Canadian counterpart Panic & Bob. Beast will represent the Panic & Bob roster in the US, while that company will handle Beast's roster in Canada. The companies are connected by a shared belief in what they do and how to do it. Familiar sensibilities and process was very important to Panic & Bob.
... »
The new ingredient in editor Stuart Bass's editorial stew is Avid's ScriptSync feature, introduced this spring at NAB, which automatically matches camera takes to lines of dialogue in the show's script. ... »
Christopher Rouse is no stranger to action cinema — he worked on The Bourne Supremacy in 2002, and followed that up with demanding co-editing gigs on The Italian Job, with director F. Gary Gray, and Paycheck, with director John Woo, in 2003.... »
Industry's Fastest Film Scanning Solution-Two Frames of 8K Media Per
Second-Performs Two Times Faster Than Current Laser Film Scanners Operating
at 2K
... »
