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07|23|2008

Track Media with MeSoft StoryEditor   [Studio Daily]

Matt Armstrong

Hear about the new developments from MeSoft that allows media to be ingested once for conversion to multiple formats and then logged and tracked throughout the entire post process. MeSoft's CTO/co-founder Freddie Goeske talks about how the MeSoft StoryEditor has saved productions like Hell's Kitchen time and money....  »
07|22|2008

Sony Announces Availability Of Multi-Codec Video Encoder for Blu-Ray Disc Authoring   [Studio Daily]

Press Release

Sony Creative Software, a leading worldwide provider of professional video and audio production applications, today announced the availability of Sony's new multi-codec video encoder for Blu-ray Disc authoring developed in conjunction with Sony Electronics and Sony Pictures Imageworks. Originally announced by Sony Electronics at NAB 2008, the BAE-VX1000 encoder is priced to bring high-speed, high-quality Blu-ray Disc authoring within reach of smaller studios....  »
07|14|2008

The Role of the Preditor in Reality TV   [Studio Daily]

By Debra Kaufman

“The trend is moving a lot towards editors crafting their episodes in a more producer-like manner versus a couple of years ago when I’d walk in and things would be more laid out for me,” said Jamie Pedroza, editor on Project Runway. “It’s really in the editors’ hands to sculpt the stories how they want to do it, in collaboration with the producers. When the footage comes to post, we get the first stab at it. That’s really exciting. That’s why I like editing reality.” ...  »
07|14|2008

Media 100 Introduces Version 12.7   [Studio Daily]

Press Release

Media 100, a leading provider of advanced editing systems for the corporate, broadcast, post-production, and new media industries, today announced the release of version 12.7. The new release offers menu-level integration with Sony’s XDCAM Transfer utility: imported XDCAM media is automatically transcoded to any supported video format including Media 100 HD or Apple’s ProRes 422 codecs and appears in Media 100 bins, ready for editing in Media 100. Also new in Version 12.7 is an improvement to Media 100 ‘s HDV Acquire function; operators may now optionally defer the transcoding process on systems with lower processing bandwidth, allowing for a seamless workflow. ...  »
07|10|2008

When the Movie is 3D, But the NLEs Are 2D   [Film & Video]

By Bryant Frazer

Journey to the Center of the Earth, directed by Eric Brevig — a filmmaker with lots of experience in the VFX realm — might not have the same historic impact as The Jazz Singer or Becky Sharp, but as the first live-action VFX-driven feature film to be shot for 3D, it can’t help but break new ground....  »
07|09|2008

DVD vs. Digital Download Distribution   [Studio Daily]

Matt Armstrong

At CineGear Expo a panel of post experts got together to discuss today’s challenges facing independent producers. Watch the discussion on the pros and cons of digital downloads and high def DVD distribution, how to use standard red laser technology to create a Blu-ray DVD, why digital rights management is a joke....  »
07|01|2008

Vara Software Screenflow   [Studio Monthly]

Jem Schofield 

Every once in a while we get a game changer, something that comes along that makes us rethink what we thought a certain category of products can do...  »
07|01|2008

Magic Bullet Now Supports Sony Vegas 8   [Studio Monthly]

Red Giant Software has released Magic Bullet Looks 1.1 with new support for Sony Vegas 8. It includes plug-ins for Adobe After Effects, Final Cut Pro, Avid, Adobe Premiere Pro, Motion, and Vegas....  »
06|25|2008

Tweak Software Launches RV; Playback Software for Images and Film Sequences    [Studio Daily]

Press Release

Tweak Software is releasing RV, the company’s first commercially available software package, announced Seth Rosenthal, founder and president. RV is a highly customizable cross-platform image and sequence viewer that is capable of playing back uncompressed film resolution clips. Free downloadable trial versions of the software are available upon request at www.tweaksoftware.com ...  »
06|24|2008

Avid Comes Out Swinging   [HD Studio]

By Michael Grotticelli

Continuing its “New Thinking” (read “lower-cost”) strategy that pits it head-to-head with Apple, Avid Technology is now shipping the next generation HD editing systems and storage solutions that it showed at the NAB convention....  »
06|18|2008

Producing The Gene Generation   [Studio Daily]

Matt Armstrong

Producer Keith Collea talks about the techniques employed on The Gene Generation, from pre-production all the way through to screening the film, to make this futuristic, sci-fi thriller on a shoestring budget. ...  »
06|16|2008

LaCie Announces Little Big Disk Quadra 1TB   [Studio Daily]

Matt Armstrong

LaCie today announced the Little Big Disk Quadra 1TB, the industry’s largest capacity, most powerful mobile storage solution to fit comfortably into the palm of your hand. Joining already shipping 500GB and 400GB (7200 RPM) versions, the portable Little Big Disk is LaCie’s workflow answer for speed- and capacity-demanding applications and digital content creation....  »
06|09|2008

Avid Ships Next-Generation Editing and Storage Systems    [Studio Daily]

Press Release

Avid Technology, Inc. today announced the worldwide availability of its new HD editing systems and VideoRAID solutions. The new lineup, which delivers on a commitment to customers of improved quality, value and performance, includes next-generation versions of Avid® Media Composer® (v3.0), NewsCutter® (v7.0), and Symphony™ (v3.0) software, as well as new hardware configurations, Mojo DX and Nitris® DX. ...  »
06|05|2008

Avid Shows New Thinking at Editors Lounge   [Studio Daily]

Matt Armstrong

Avid reps jumped into the fire at the latest AlphaDogs Editors' Lounge to show their latest hardware and software versions. In addition to showing the larger performance improvements and the ability to mix formats in the timeline, they showed off smaller changes that are sure to make editors' lives easier. And there's even some hints about Avid's future plans for working with RED footage. ...  »
06|01|2008

Create a Network ID/Glass Bug in Adobe Photoshop CS3 for Final Cut Pro 6 Projects   [Studio Monthly]

This is just one easy way to create a transparent version of your company’s signature or logo for importing into a Final Cut Pro project. If you plan to use square pixel elements in your Glass Bug, simply drag or copy those elements into a non-square Photoshop document to customize them for use in your project....  »

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